Saturday, January 29, 2011
Indian Actressshowing Boobs
Music
In
wires Wings of birds sing
in treble clef
(haiku)
code-moon also ...
Friday, January 28, 2011
Sample Letter Of Request Quotation
EXPOSURE "ON & ON" IN THE HOUSE ON, on the ephemeral in art, SITE-SPECIIFC / * TOP 10 * Exhibition: CONTEMPORARY ART IS ALIVE
What good taste reveals a good exhibition, curated a good job of behind-in this case Flora Fairbairn and Olivier Varenne - a good selection, fair, of works to bring together a leitmotif with which to compose a possible history / reading of Contemporary Art, questioning and review its value and its relationship with the public. And so it was "ON & ON" , one of the best shows not only the Lit House -that if you shone before, now it overboard, but the national exhibition scene in recent years has been an influx of public success. On the idea of \u200b\u200bthe ephemeral, with a range of facilities mostly site-specific , one of the concepts of ownership process and most interesting contemporary art. Works with multiple significant and, above all, a perfect balance between aesthetics and narrative, to which is added a feature common to all: the fact that he made material or organic matter, ie how the work itself deteriorio undergoes a transformation in the eyes of the public. Temporality that seems to even question the basic idea and essential: if art is the work itself or the process, if the devastating effect of time on it until even their extinction may become its artistic value, their true dimension. .. Just the opposite to that idea of \u200b\u200bmonumentality of classical art, the permanence of stone. In contrast, when an exhibition is about the ephemeral part of her curiosity and initiative of the audience that, once understood and is aware of the vulnerability (intentional) of the work, you might want to go back there to see the "state" organic of the works, check out the differences, the change .., as should be every so often to see what makes Justo Gallego Muñoz , who for 50 years with his own hands built a cathedral in Mejorada del Campo, Madrid: A fight almost lost, impossible against Time. That heroic challenge time is something, no doubt, characteristic of the contemporary. Working with food, "which later would rot unless it was stuffed like an animal" was a practice of the 60, with Vitoiro Stoicita to the head and other artists close to the proposed Arte Povera's , or art executed with poor materials.
The fact is that we have gone through a Fine Arts faculty considering some conceptual and we left it convinced that art is or should be stirring, a reflection of reality, expressions of opinion, crítca ... view works so well executed work in progress so logical that even possible to reconstruct the process itself, with so little free items, as well chosen, with a dramaturgy, staging .. is something we appreciate very much.
Of these perhaps the most seductive and one that best reflects their status porpia of site-specific , is that wonder installation Claire Morgan. Located in the stairwell, an area of \u200b\u200bstrawberries as if it were a tapestry, stooping, is interrupted by a gap that has dropped like a crow flying over and is now surrounded by flies ( like the classic image of the mouse on cat on dog "the trovamúsicos"), as if a harmonious order of things, oblivious to human intervention. All items have been hung from the ceiling transparent wires, clean and delicate device that always works with Claire, so all that is in direct contact with the ground is falling, remains. Initially the facility is beautiful, alive .. it, finally, the color has faded and there are only remnants of her own: the stalks of the strawberries. In any case, the clash between the living and the dead, how inevitably rotted strawberries .. and then the taxidermy of Cuevo .. produces a brutal shock, reflects on her own gender and status, which seems made to equal parts: More than a still life, be a "organicity in evolution" .
Another facility also wonderful, a most memorable image that gives us the almost opposite effect of the ephemeral: how is this evoluciónn intrinsic to the construction and not destruction ... is that of Céleste Boursier-Mougenot : A locked room, decorated with musical instruments, drums and electric guitars, as you see in the image - and planted with reeds and plants, inhabited by birds. In which the relationship established between these two worlds eventually be initially decontextualized musical since, in the process of nest building, its natural target, the birds produce sound by touching the instruments, which is amplified and looped by reprouducida across the room to delight (visual and audible) of attendees. Relation of cause and effect created, caused, part of a staging complex, sophisticated, straight out of a dream .. only to be real. But who has the gift of possibility, of opportunity, to see something new, interesting, a phenomenon of reconciliation, in which two kinds of elements execute their own functions and in their combination / living together, produce another.
Another shock, shocking, between the inert and live in their devastating power of growth, the office / garden, Gerda Steiner & Jorg Lenzlinger , which, as the title indicates proposes a hybrid in which laptops and jackets hanging on the backs of chairs seem to be the only indicators of human presence on which chemical flowers, a strange alloy that produces prisms, second hybrid of the work, which is also fluorescent and pink, with zenith of the table lights, shine even more. Like a weed descrontrolada, and almost engullese extend these elements of the work environment, causing a strange image, it is not known whether the natural or claims tencológico, fiction and reality ...
* ephemerality
But not only present in materials in "ON & ON" , "llamdo for a small installation that flashes a light at short intervals, almost like breathing," the beat exposure "- his chance also appears to affect those who are the common elements or common areas an exhibition space and, by extension, the formality of public attitudes. In one room that seems to be a security guard is placed in a corner, with the usual gesture of hands clasped behind, and begins to sing an opera aria, naturally, which adds the component of humor, a of the great engines of art, and poses reflect on whether things are what they seem and why everything should work as planned, to the rule, to normal ... instead of becoming something else .. While the false security guard / soprano-ephemerality of the profession? - Sings, we discovered that one of the small rooms are not of wood but painted with chocolate. Another example of how the elements contribute to create poetic images that stir something inside the viewer, about the relativity of temporality, the revocation or durability of contemporary art, the works, the environment, then ..
Now, I say ... who may not like it, enchant even, interested in contemporary art course if you see this kind of exposure?? For anyone interested in quitting created succumb to that premise that "contemporary art is not my thing"-which is what we often think the lay public, and finish getting rid of its own cliché, like opening your eyes and discover how contemporary elarte is today one of the most fertile land and more capacity opposite reality-more so than the cinema, manifesting beauty and critical way, with a variety of topics, concepts, points of view .. . always surprising, as part of the most highly topical, here is a rare TOP 10, not to forget those who have been BEST SHOWS for me in recent years
Cris, who like me as much as the installation of strawberries. ..
* What good taste reveals a good exhibition, curated a good job of behind-in this case Flora Fairbairn and Olivier Varenne - a good selection, fair, of works to bring together a leitmotif with which to compose a possible history / reading of Contemporary Art, questioning and review its value and its relationship with the public. And so it was "ON & ON" , one of the best shows not only the Lit House -that if you shone before, now it overboard, but the national exhibition scene in recent years has been an influx of public success. On the idea of \u200b\u200bthe ephemeral, with a range of facilities mostly site-specific , one of the concepts of ownership process and most interesting contemporary art. Works with multiple significant and, above all, a perfect balance between aesthetics and narrative, to which is added a feature common to all: the fact that he made material or organic matter, ie how the work itself deteriorio undergoes a transformation in the eyes of the public. Temporality that seems to even question the basic idea and essential: if art is the work itself or the process, if the devastating effect of time on it until even their extinction may become its artistic value, their true dimension. .. Just the opposite to that idea of \u200b\u200bmonumentality of classical art, the permanence of stone. In contrast, when an exhibition is about the ephemeral part of her curiosity and initiative of the audience that, once understood and is aware of the vulnerability (intentional) of the work, you might want to go back there to see the "state" organic of the works, check out the differences, the change .., as should be every so often to see what makes Justo Gallego Muñoz , who for 50 years with his own hands built a cathedral in Mejorada del Campo, Madrid: A fight almost lost, impossible against Time. That heroic challenge time is something, no doubt, characteristic of the contemporary. Working with food, "which later would rot unless it was stuffed like an animal" was a practice of the 60, with Vitoiro Stoicita to the head and other artists close to the proposed Arte Povera's , or art executed with poor materials.
The fact is that we have gone through a Fine Arts faculty considering some conceptual and we left it convinced that art is or should be stirring, a reflection of reality, expressions of opinion, crítca ... view works so well executed work in progress so logical that even possible to reconstruct the process itself, with so little free items, as well chosen, with a dramaturgy, staging .. is something we appreciate very much.
Of these perhaps the most seductive and one that best reflects their status porpia of site-specific , is that wonder installation Claire Morgan. Located in the stairwell, an area of \u200b\u200bstrawberries as if it were a tapestry, stooping, is interrupted by a gap that has dropped like a crow flying over and is now surrounded by flies ( like the classic image of the mouse on cat on dog "the trovamúsicos"), as if a harmonious order of things, oblivious to human intervention. All items have been hung from the ceiling transparent wires, clean and delicate device that always works with Claire, so all that is in direct contact with the ground is falling, remains. Initially the facility is beautiful, alive .. it, finally, the color has faded and there are only remnants of her own: the stalks of the strawberries. In any case, the clash between the living and the dead, how inevitably rotted strawberries .. and then the taxidermy of Cuevo .. produces a brutal shock, reflects on her own gender and status, which seems made to equal parts: More than a still life, be a "organicity in evolution" . 
Another facility also wonderful, a most memorable image that gives us the almost opposite effect of the ephemeral: how is this evoluciónn intrinsic to the construction and not destruction ... is that of Céleste Boursier-Mougenot : A locked room, decorated with musical instruments, drums and electric guitars, as you see in the image - and planted with reeds and plants, inhabited by birds. In which the relationship established between these two worlds eventually be initially decontextualized musical since, in the process of nest building, its natural target, the birds produce sound by touching the instruments, which is amplified and looped by reprouducida across the room to delight (visual and audible) of attendees. Relation of cause and effect created, caused, part of a staging complex, sophisticated, straight out of a dream .. only to be real. But who has the gift of possibility, of opportunity, to see something new, interesting, a phenomenon of reconciliation, in which two kinds of elements execute their own functions and in their combination / living together, produce another. 
Another shock, shocking, between the inert and live in their devastating power of growth, the office / garden, Gerda Steiner & Jorg Lenzlinger , which, as the title indicates proposes a hybrid in which laptops and jackets hanging on the backs of chairs seem to be the only indicators of human presence on which chemical flowers, a strange alloy that produces prisms, second hybrid of the work, which is also fluorescent and pink, with zenith of the table lights, shine even more. Like a weed descrontrolada, and almost engullese extend these elements of the work environment, causing a strange image, it is not known whether the natural or claims tencológico, fiction and reality ... * ephemerality
But not only present in materials in "ON & ON" , "llamdo for a small installation that flashes a light at short intervals, almost like breathing," the beat exposure "- his chance also appears to affect those who are the common elements or common areas an exhibition space and, by extension, the formality of public attitudes. In one room that seems to be a security guard is placed in a corner, with the usual gesture of hands clasped behind, and begins to sing an opera aria, naturally, which adds the component of humor, a of the great engines of art, and poses reflect on whether things are what they seem and why everything should work as planned, to the rule, to normal ... instead of becoming something else .. While the false security guard / soprano-ephemerality of the profession? - Sings, we discovered that one of the small rooms are not of wood but painted with chocolate. Another example of how the elements contribute to create poetic images that stir something inside the viewer, about the relativity of temporality, the revocation or durability of contemporary art, the works, the environment, then ..
Now, I say ... who may not like it, enchant even, interested in contemporary art course if you see this kind of exposure?? For anyone interested in quitting created succumb to that premise that "contemporary art is not my thing"-which is what we often think the lay public, and finish getting rid of its own cliché, like opening your eyes and discover how contemporary elarte is today one of the most fertile land and more capacity opposite reality-more so than the cinema, manifesting beauty and critical way, with a variety of topics, concepts, points of view .. . always surprising, as part of the most highly topical, here is a rare TOP 10, not to forget those who have been BEST SHOWS for me in recent years
- Plagiarism, On plagiarism culture ": COUNTRY ON, MADRID. 2005 . Multidisciplinary.
- " PASSIONS" BILL VIOLA: Fundacion La Caixa, Madrid. 2004. videoinstalación. (pictured)
- "POST-IT CITY, CITIES occasional" CCCB , BARCELONA. 20008. Multdisciplinar.
- " Phantasmagoria, DRAWING ON THE MOVE ." FOUNDATION ICO, Madrid. 2007. illustration (media / digital art and manual)
- "BAROQUE and neobaroc BEAUTIFUL AS HELL ." DA2 Domus Artium, Salamanca. 2005/-06. photography and installation.
- "BY WARHOL WARHOL" HOUSE ON, MADRID. 2008. Photography, prints and more.
- LISBON PHOTO: MOMENTS AND RANGES "CCB (Centro Cultural de Belém), LISBON. 2005. photography and installation,
- " Federico Fellini, THE CIRCUS OF DREAMS " CAIXAFOURM, MADRID. 2010. Video, photographs and posters.
- REBECCA HORN: " BODYLANDSCAPES " Retrospective: CCB (Centro Cultural de Belém), LISBON. 2005. Installation, esculltura and drawing.
- " THE TWENTIETH CENTURY THROUGH THE EYES OF Dexter Dalwood ": CAC, MÁLAGA. 2010. Painting and collage.
- "Gangs of the 80 " HOUSE ON, MADRID. 2010. Video file and others.
is, to win the House on, which undoubtedly took off with the expositionally Warhol exhibition wins, and that my congratulations for your program 5 stars.
Wednesday, January 26, 2011
Saturday, January 22, 2011
Leigh D Xtrem Curves Peachy
NEDS, Peter Mullan: PORTRAIT OF ADOLESCENCE - desendulzada childhood, the "elephant in the room", new social elements for a film ...
<>
The end of "Neds" have a magical beauty, with that sequence shot of two figures entering the plane and away, reminiscent of scenes end of classic cinema - "The Third Man" and many others ...-, take life as one of those huge boxes Gustave Courbet (see Figure 1) , with that golden light in which never seem to have a human presence, and two characters into it, in that contemplation that stillness, that order of things, including the inherent danger, inside: in the clearing in the forest there is a pride of lions and see them just to give the environment a fairytale character. A fable without a moral ... It is the only poetic image of the entire film, which, in contrastra with active violence before, has that record of extreme fiction, like something out of a dream like that sort of magical realism that suited him so well to "A prophet " of Jacques Audiard ... And it's funny: I'm realizing that not only for this particular style, and as just a film is essential to their organization, but above However, the progression of principial character, his complete transformation, its absolute deterioration, which thus seeks to narrate .. share common elements: tone frame, etc. (Although in the French case all be more categorical and more cinematic). And so and there ends the film with these two girls through this strange meadow with lions, lying peacefully. An aim is a reconciliation with his own violence, a violence domesticated by greater violence. Final strangely epic, which of the many readings that could be given, the first that comes to me and convinces me most would be for the character of these beasts is not Nigun threat because they have been brutalized and asalvajado while surrounded by his peers, or is even stronger. More ambiguous is where has all this security, this gesture, the horizon of the landscape ..
Just next to this scene, the credits, which seem made by Gilliam Wearing (if they really have not done it), an artist who has always interested me much, known mostly for the pictures of people on the street holding posters with everyday phrases, as if what they are thinking (see Figure 2) . For "NEDS" are photos of the cast in full, one by one, each one of their names, mostly young actors to create the likelihood of this social drama of gangs and perifierias ... And, taking into account the Wearing videos of children talking dubbed by adults confessing indecency or atrocities, no doubt, the strongest part of their work-the resemblance to Mullan does not seem to happen, but rather agrees all that disillusionment and corruption of childhood and adolescence, early corrupted. But anyway I acknowledge that these references are "training" and that, in my subjectivity, provide the film with a special atmosphere but only in its final, references not seem to empathize or affect the rest of the film. not so much the problem but by the harsh, unfiltered representation of violence, the hardest scenes of "NEDS" also reminded that great short Achero Mañas: "Hunters" and the peculiar relationship established between children and violence (You can see the end of post) .
Anyway, "Neds" , abalada critically-took the Golden Shell at San Sebastian Festival in its latest edition, there seems to be seduced too the public, I have the impression that the judge a film more social history of violence that is born in a working class neighborhoods in cities of the industrial past, ghettos that have been submerged in the marginalization, social exclusion and employment, the lack of education, own circumstances without prospects and resources that often lead to criminal acts and a normalization of violence. etc. And it's true: they may not contribute much, but is part of the film necessary, present the stories of local / universal. This time has been the focus of Glasgow -just got back from Liverpool, a city with a very similar social reality, and attest that it is almost understandable, and offers a portrait of the United Kingdom more marginal, a teenager on the brink of the abyss that is a possible reading, so real, what should be happening. In fact, we must not forget that the film is called "NEDS" and these are the initials of a speech and made "Non-Educated deliquents" , which seems to be directly equivalent to our " NI-NI "(neither in school nor working), these kids disoriented, unmotivated, lost, with many papers end up being conflicting. A class that was born, raised and probably played throughout Europe, if not a universal phenomenon "all around the world" (I'm afraid that yes it is ..). although each has its peculiarities.
Although probably come to that Mullan is that violence is gratuitous and irreversible, in the case of NEDS is a specific event that triggers the mechanism of violence, as a perfect domino effect.
is true that all would have done almost anything to protect and save the skin of our little brothers, "I remember once I went down myself to reassure two assholes who wanted to disturb my brother, so it is always aggressive but there are two types of circumstances, ways of resolving these problems: the good and bad: as part of the violence itself, with a threat, counter attack, revenge, provocation, or putting brake reasonable.
Basically all this story, whose protagonist is the marginalization, in any of their faces, are contemporary dramas apapter classic Shakespearean court : honor, pride, reputation, possession ... some of them have had as a trigger racial strife, class: we could go back to "Wests side story", and take a tour through "Outsiders," "The Rumble" , both of Coppola or other examples as "Quadrophenia" , which has more to do with the power struggle between urban tribes: mods vs rockers, or "American History X" , skinheads wanting to clear the city of blacks in a heroic act 100% xenophobic. And so .. could be extended to many other dark chapters in history where someone stalker calls himself of his own-no-noble causes.
Perhaps what you fail to "Neds" and therefore produce more empathy not only for three reasons:
1. That already existing works of great quality on the same topic: For example, the French model of this violent society without Atismar recovery was already on the screen very well reflected in "Le haine" / Hatred, Mathieu Kassovitz of film, no name I'll be fed on this blog, with these scenes gnawed sofa roof, which spent this post ; And-model English and also had a very good reference, signed by Ken Loach , one of its greatest voices, "Sweet Sixteen", which I have really wanted, as a result of this filmography "of seeing. Or the film of the Dardenne ("Rosetta" , either), to represent a cinema full of voice and the freshness and accuracy in the Belgian model, etc. Or the already mentioned case of "A prophet" of Jacques Audiard;
2. "NEDS" has a very different treatment, depending on what scenes might seem directed by different people. This, for example, by the proximity to the characters, the tempo and that sort of humanity of the camera, has a style Gus Van Sant:
scene that seems to fit with all this first part with a pseudo-documentary record, or internal explosion occurs in the second that leads to even psychedelic, almost Bunuel / MonthyPytoniana -yes, I mean the scene of Jesus. The coexistence of all these disparate styles is somewhat disturbing generally for the viewer to the course of history ....
3. John McGill teenager, played by Connor McCarrron, happens to be one of the most unpleasant peroanjs recent times, because once produced the transformation angel / demon, do not appear in any doubt when their atrocities or show any kind of humanity, compassion or love for anyone, as if from the same Norman Bathes. Cool, provocative, ironic, no codes of any kind, even willing to humiliate your friends ... In contrast, the younger sister who never grows up, fitting failure too amateurish for a filmmaker, allegorical dramatic element that represents the an amalgam childhood, the innocence and goodness frozen in time, as the effect of video to maintain a fixed element.
1. How seamlessly controls the direction of multiple actors in a story, almost choral, could have been interesting combined. Great 's cameo as a teacher Gary Lewis the institute and the scene where John goes to a horse, one of the most personal and ironic, that could have changed the course of events ...
2. Very well resolved few moments and plot twists. Add to this picture Peter Mullan a veracity and credibility to a very interesting aspect: the parents ignorance of what happens, the strange elephant in the room he was referring to Alan Clarke - "Elephant" , v.1989, impressive work without frills, a national and an Irish situation, "violence seated to tea as one of a family, these little monsters, beasts salavajes growing across the wall and that their parents believe they have not hurt a fly. In this regard, one of the, in my opinion, the brighter scenes "NEDS" is where the protagonist flees from the gang that will give you a beating and take advantage of a woman enters his house slip and escape. It produces a certain complicity between them because she, with a maternal instinct, but seems to live alone, it claims to have invaded their space that way and at the same time glad to have helped prevent another act of violence, when it's cherry the scene: his son home, which happens to be one that would have broken head, and having to pretend he did not know, and stand in front of the public enemy, a fight of his mother, who tells him that from now on I want at this hour at home, that much vandalism the streets, ... That is, the mother is guilty of incautious to the absolute limits because he never seems to see that your child is an advocate of violence. is not the only case, there are many details and moments that allude to what they think parents, who move from neighborhood to get together with not "naughty" . In the case of the mother of John, the protagonist, even without a pervert, and his brother, who gives a gap in that gang or organization which, as we all do in our youth-is model to imitate, it is conscious, have a certain height even decides to act tough, not without disappointment, but there is a strange, almost contradictory shock ( I think that confuses or diverts narrative) to the very violence that lives inside the house of her husband, a proletarian-alcoholic of course, what actorazo! - every night sticks down and bawling for assaulting her. Again the elephant sitting on the couch and no one speaks, that sweep the problems home and outside all doors for good.
<>
The end of "Neds" have a magical beauty, with that sequence shot of two figures entering the plane and away, reminiscent of scenes end of classic cinema - "The Third Man" and many others ...-, take life as one of those huge boxes Gustave Courbet (see Figure 1) , with that golden light in which never seem to have a human presence, and two characters into it, in that contemplation that stillness, that order of things, including the inherent danger, inside: in the clearing in the forest there is a pride of lions and see them just to give the environment a fairytale character. A fable without a moral ... It is the only poetic image of the entire film, which, in contrastra with active violence before, has that record of extreme fiction, like something out of a dream like that sort of magical realism that suited him so well to "A prophet " of Jacques Audiard ... And it's funny: I'm realizing that not only for this particular style, and as just a film is essential to their organization, but above However, the progression of principial character, his complete transformation, its absolute deterioration, which thus seeks to narrate .. share common elements: tone frame, etc. (Although in the French case all be more categorical and more cinematic). And so and there ends the film with these two girls through this strange meadow with lions, lying peacefully. An aim is a reconciliation with his own violence, a violence domesticated by greater violence. Final strangely epic, which of the many readings that could be given, the first that comes to me and convinces me most would be for the character of these beasts is not Nigun threat because they have been brutalized and asalvajado while surrounded by his peers, or is even stronger. More ambiguous is where has all this security, this gesture, the horizon of the landscape .. 
Just next to this scene, the credits, which seem made by Gilliam Wearing (if they really have not done it), an artist who has always interested me much, known mostly for the pictures of people on the street holding posters with everyday phrases, as if what they are thinking (see Figure 2) . For "NEDS" are photos of the cast in full, one by one, each one of their names, mostly young actors to create the likelihood of this social drama of gangs and perifierias ... And, taking into account the Wearing videos of children talking dubbed by adults confessing indecency or atrocities, no doubt, the strongest part of their work-the resemblance to Mullan does not seem to happen, but rather agrees all that disillusionment and corruption of childhood and adolescence, early corrupted. But anyway I acknowledge that these references are "training" and that, in my subjectivity, provide the film with a special atmosphere but only in its final, references not seem to empathize or affect the rest of the film. not so much the problem but by the harsh, unfiltered representation of violence, the hardest scenes of "NEDS" also reminded that great short Achero Mañas: "Hunters" and the peculiar relationship established between children and violence (You can see the end of post) . Anyway, "Neds" , abalada critically-took the Golden Shell at San Sebastian Festival in its latest edition, there seems to be seduced too the public, I have the impression that the judge a film more social history of violence that is born in a working class neighborhoods in cities of the industrial past, ghettos that have been submerged in the marginalization, social exclusion and employment, the lack of education, own circumstances without prospects and resources that often lead to criminal acts and a normalization of violence. etc. And it's true: they may not contribute much, but is part of the film necessary, present the stories of local / universal. This time has been the focus of Glasgow -just got back from Liverpool, a city with a very similar social reality, and attest that it is almost understandable, and offers a portrait of the United Kingdom more marginal, a teenager on the brink of the abyss that is a possible reading, so real, what should be happening. In fact, we must not forget that the film is called "NEDS" and these are the initials of a speech and made "Non-Educated deliquents" , which seems to be directly equivalent to our " NI-NI "(neither in school nor working), these kids disoriented, unmotivated, lost, with many papers end up being conflicting. A class that was born, raised and probably played throughout Europe, if not a universal phenomenon "all around the world" (I'm afraid that yes it is ..). although each has its peculiarities.
Although probably come to that Mullan is that violence is gratuitous and irreversible, in the case of NEDS is a specific event that triggers the mechanism of violence, as a perfect domino effect. John: good son, a student copy of the church altar boy ... get after graduation party the threat of a boy, who threatens to beat up daily as you enter high school, because he does not like nerds like him. Frightened and violated, this exemplary child "the child of his mother sojos" , goes looking for his older brother to tell of what happened and if you can not find it does give the message, the name, a colleague, Well, the next scene running-gear is violence, that allows us to understand / know by default what kind of person is your brother and what makes him so respected is his older brother John looking out the window at her brother and the colleague have caught that has threatened and are torturing him with a bottle attached to his head and give you the opportunity to be executioner. Decides not to be.
is true that all would have done almost anything to protect and save the skin of our little brothers, "I remember once I went down myself to reassure two assholes who wanted to disturb my brother, so it is always aggressive but there are two types of circumstances, ways of resolving these problems: the good and bad: as part of the violence itself, with a threat, counter attack, revenge, provocation, or putting brake reasonable.
Basically all this story, whose protagonist is the marginalization, in any of their faces, are contemporary dramas apapter classic Shakespearean court : honor, pride, reputation, possession ... some of them have had as a trigger racial strife, class: we could go back to "Wests side story", and take a tour through "Outsiders," "The Rumble" , both of Coppola or other examples as "Quadrophenia" , which has more to do with the power struggle between urban tribes: mods vs rockers, or "American History X" , skinheads wanting to clear the city of blacks in a heroic act 100% xenophobic. And so .. could be extended to many other dark chapters in history where someone stalker calls himself of his own-no-noble causes.
Perhaps what you fail to "Neds" and therefore produce more empathy not only for three reasons: 1. That already existing works of great quality on the same topic: For example, the French model of this violent society without Atismar recovery was already on the screen very well reflected in "Le haine" / Hatred, Mathieu Kassovitz of film, no name I'll be fed on this blog, with these scenes gnawed sofa roof, which spent this post ; And-model English and also had a very good reference, signed by Ken Loach , one of its greatest voices, "Sweet Sixteen", which I have really wanted, as a result of this filmography "of seeing. Or the film of the Dardenne ("Rosetta" , either), to represent a cinema full of voice and the freshness and accuracy in the Belgian model, etc. Or the already mentioned case of "A prophet" of Jacques Audiard;
2. "NEDS" has a very different treatment, depending on what scenes might seem directed by different people. This, for example, by the proximity to the characters, the tempo and that sort of humanity of the camera, has a style Gus Van Sant:
scene that seems to fit with all this first part with a pseudo-documentary record, or internal explosion occurs in the second that leads to even psychedelic, almost Bunuel / MonthyPytoniana -yes, I mean the scene of Jesus. The coexistence of all these disparate styles is somewhat disturbing generally for the viewer to the course of history ....
3. John McGill teenager, played by Connor McCarrron, happens to be one of the most unpleasant peroanjs recent times, because once produced the transformation angel / demon, do not appear in any doubt when their atrocities or show any kind of humanity, compassion or love for anyone, as if from the same Norman Bathes. Cool, provocative, ironic, no codes of any kind, even willing to humiliate your friends ... In contrast, the younger sister who never grows up, fitting failure too amateurish for a filmmaker, allegorical dramatic element that represents the an amalgam childhood, the innocence and goodness frozen in time, as the effect of video to maintain a fixed element.
1. How seamlessly controls the direction of multiple actors in a story, almost choral, could have been interesting combined. Great 's cameo as a teacher Gary Lewis the institute and the scene where John goes to a horse, one of the most personal and ironic, that could have changed the course of events ...
2. Very well resolved few moments and plot twists. Add to this picture Peter Mullan a veracity and credibility to a very interesting aspect: the parents ignorance of what happens, the strange elephant in the room he was referring to Alan Clarke - "Elephant" , v.1989, impressive work without frills, a national and an Irish situation, "violence seated to tea as one of a family, these little monsters, beasts salavajes growing across the wall and that their parents believe they have not hurt a fly. In this regard, one of the, in my opinion, the brighter scenes "NEDS" is where the protagonist flees from the gang that will give you a beating and take advantage of a woman enters his house slip and escape. It produces a certain complicity between them because she, with a maternal instinct, but seems to live alone, it claims to have invaded their space that way and at the same time glad to have helped prevent another act of violence, when it's cherry the scene: his son home, which happens to be one that would have broken head, and having to pretend he did not know, and stand in front of the public enemy, a fight of his mother, who tells him that from now on I want at this hour at home, that much vandalism the streets, ... That is, the mother is guilty of incautious to the absolute limits because he never seems to see that your child is an advocate of violence. is not the only case, there are many details and moments that allude to what they think parents, who move from neighborhood to get together with not "naughty" . In the case of the mother of John, the protagonist, even without a pervert, and his brother, who gives a gap in that gang or organization which, as we all do in our youth-is model to imitate, it is conscious, have a certain height even decides to act tough, not without disappointment, but there is a strange, almost contradictory shock ( I think that confuses or diverts narrative) to the very violence that lives inside the house of her husband, a proletarian-alcoholic of course, what actorazo! - every night sticks down and bawling for assaulting her. Again the elephant sitting on the couch and no one speaks, that sweep the problems home and outside all doors for good.
Epilogue:
Here's the short of Achero Mañas "Hunters" as Gilliam Wearing, with pre-brief interview, which appears recpoger this time that the glue that protected the perverted world's children violent and cruel out there , and what all that was inside was lost, like a child who sees his silkworm turn into butterflies and fly away, that bitterness, that disappointment ... . Enjoy it.
And, alluding to the invasion of private space, how violence no knocks, archinombrado this excerpt from "Elephant" . And who cares about the subject, if you read this post I wrote long ago, about yourselves you and mechanisms of violence : http://lapor-la-la.blogspot.com/2008/02 / state-of-violence-1-parte.html
Here's the short of Achero Mañas "Hunters" as Gilliam Wearing, with pre-brief interview, which appears recpoger this time that the glue that protected the perverted world's children violent and cruel out there , and what all that was inside was lost, like a child who sees his silkworm turn into butterflies and fly away, that bitterness, that disappointment ... . Enjoy it.
And, alluding to the invasion of private space, how violence no knocks, archinombrado this excerpt from "Elephant" . And who cares about the subject, if you read this post I wrote long ago, about yourselves you and mechanisms of violence : http://lapor-la-la.blogspot.com/2008/02 / state-of-violence-1-parte.html
Wednesday, January 19, 2011
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Witch Moon Shadow ... Weaving
Where do the shadows when the dawn
with fiery reds appear?
Where running, scared, hurt,
every day, every day that dawns?
Tuesday, January 18, 2011
Kasneb December 2008 Results
Pinito DAVID LYNCH AND THE MUSIC ..: electronic adventure
I hope the news that the genius of surrealism that has provided possibly the most unsettling images and scenes in the seventh art, not to say that Angelo Badalamenti stop making their soundtracks, because I bought them all. The disconcerting has been part of his films at all levels, without exception, one of the litters, perhaps with greater dramatic sound accompaniment including issues also often dark soul as the great Barry Adamson. No, certainly not (now it will catch the baton), has all the earmarks of being rather a side who had long wanted to explore and which has finally started and able to release something. The result, for now, is this. Although no official video, from what I understand several fanes have ventured to make their proposals:
The fact is that this might be in one of these strange environments lynchnianos . Be followed closely because, for a debut, not bad and, above all, and that's the most curious and interesting, not surprising, since it has elements in common with the universe he creates and lives, being the know more and more familiar, if that's possible, we find the film, although its leit motivs are also present and explored in graphic interpretations (of which he spoke recently, following Dexter Dalwood Expo). 
I hope the news that the genius of surrealism that has provided possibly the most unsettling images and scenes in the seventh art, not to say that Angelo Badalamenti stop making their soundtracks, because I bought them all. The disconcerting has been part of his films at all levels, without exception, one of the litters, perhaps with greater dramatic sound accompaniment including issues also often dark soul as the great Barry Adamson. No, certainly not (now it will catch the baton), has all the earmarks of being rather a side who had long wanted to explore and which has finally started and able to release something. The result, for now, is this. Although no official video, from what I understand several fanes have ventured to make their proposals:
The fact is that this might be in one of these strange environments lynchnianos . Be followed closely because, for a debut, not bad and, above all, and that's the most curious and interesting, not surprising, since it has elements in common with the universe he creates and lives, being the know more and more familiar, if that's possible, we find the film, although its leit motivs are also present and explored in graphic interpretations (of which he spoke recently, following Dexter Dalwood Expo).
of references and musical tastes, it appears that David loves Pink Floyd and feel a special devotion to electronic music.
Perhaps less strange, but with some of his "seal", this other issue, as part of its electronic adventure: Even if your site is the natural destination track, has some effects, details, sound the same, price, something strange romance and melancholy ...
Saturday, January 15, 2011
Tuesday, January 11, 2011
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BBJÖRK AND GOOD CAUSES: "THE VOICE FOR THE PEOPLE", MARATHON FOR ICELANDIC NATURE / Celebrity, leadership and solidarity ..
following the presentation of the event, along with Omar Ragnasson , and the wonder of seeing her sing: always so happy, with that sweetness and eternal childhood.
It's nice to publish a story about someone who I thought I could not admire more and discover that even I could do something brighter. On 28 June this year dedicated a tribute to Björk , codename in my musical taste, a tribute that would have wanted to do since the first day I started this blog. As I do not want to repeat, for anyone who wants to remember why (at least for me) she is a genius and his music a proposal full of talent, art and magic, here is the post . Risk and innovation have led to the recognition and prestige, not shared by everyone, always Björk has combined with involvement in matters of his country, Iceland, which is one of the few familiar faces. Especially environmental issues, protection of nature reserves, the consequences of climate change, etc. But without propaganda. Everyone knows that Bono (U2) is "supportive" but few people know that Björk and Moby are, but probably more thoroughly and as an activity to develop for many years, including "polluter" almost merges the facet that has made them stand out.
Well the last thing that has happened and what has been decided to embark "the child prodigy of electronic music and other labels" has been a karaoke in Reykjavík (# smoky bay) in marathon format for 3 days, which has gems like this. By the way is just brutal how endorses the song after the first minute faithfully interpret the original song-one of my favorite forever & ever - as if to make clear that there is a cover but a tribute a delight. Something that looks like something out of a dream, because they are, she and Joy Division , two of my fetishes names from the music scene.
And this opportunity to see a "great lady" read some of their subjects or others, with a touch of karaoke casposillo imperfect and a musical personality ... so perfect like yours, that both the acoustic-care was not just an exhibition of his, but has little to fear: it is the best voice, to the delight of those present, for a good cause, was not even to raise funds (which, sure, would have raised), but to collect signatures that would join and would support preventing the sale of the company, the transfer amoral according to sustainable policies essential. And what, to this day, he says, gives life and strength, are the signatures, and eventually get things right led, and a figure already above 22.o00 names have joined the initiative. HAPPENING / Karaoke bringing together voices of this movement has been called "The voice of the people" in response and protest the privatization of Osa HS , the company that supplies energy to the country, to the suspicion that it has acquired have a history of dubious environmental record level.
Much of the work of Björk have played a part have been partially or completely beneficial, as his last work, in collaboration with Dirty Projects called Mount Wittenberg Orca and only released on vinyl, dedicated to the sea, interestingly one of his first items was a beautiful "I live by the ocean ..." , an almost Leitmotif at work, and the importance of safeguarding their wealth. By the way, I think he would listen to matching Stretched Sinde did not seem to learn anything when he signed the cooperation agreement for the protection of the seabed, an example of the coolness and half measures of this mysterious woman alias minister of one of the most visceral: the culture. It is also known that shook so many Björk as natural disaster Tsunami, that's where his inspiration came and gave him your hard "Volta" ... or the volcanic cloud , which remained on alert throughout the country and threatened European airspace, with consequent loss ... was a subject which was very absorbed. In fact, I have not removed a disc authoring and a genius like her, with the overwhelming ability and creativity, you can make records like hotcakes if it were meant to.
What remains unclear is whether Iceland is a greater awareness here for natural questions if they feel closer to nature, or what happens to that we have no initiative like or similar: If we do not have models such as Björk for country, or if there is no cause that someone with power and not belonging to the political class (those do not count) is willing to defend with the integrity and sincerity, because what is clear is that the known side projects are viable on anonymity naufragarían. More in a moment like this, with a raging global crisis and the politicians have left unattended or poorly served issues crucial and vital. Amid the general disappointment that people who have the means to push forward initiatives such as Björk is very positive, a lesson in generosity. On how someone can use their resources, their fame, its convening and promoting initiatives truly supportive, assertive and activist spirit but well informed ... Guillermo Toledo learn you can only talk about what you know! then do not harm ... Björk has managed to channel many times your responsibility as a celebrity-to see if others learn, and I can imagine the power that the media should have at this time Lady Gaga, won in part with all that exhibitionism ... we know little of his ideology; however, Björk said honest opinions related to those issues that probably does not have benefited her image. BRAVO FOR HER; Again, my hat!
Sunday, January 9, 2011
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"Socialism FILM" DE JEAN LUC GODARD: Contemporary CINEMA Y / No sense to name and JLG Council
At 80, Jean Luc Godard (alias JLG) has directed many films. As the percursor of that film and claimed he craved the creative freedom and rebellion narrative, which consolidated its own language, a universe populated by a character named character nouelle vague, perhaps the most friendly and digestible of his films, "in recent years has comtemporáneas dedicated to exploring issues such as communication in- , political conflicts and their impact on everyday life, memory (history?), etc. 
The movie has pretty pictures like a close-up of a donkey and a llama, a ying yang almost casual animal, domesticated cultures, with an opera background music, or a wide open shot from a corner of the bow of the boat with the light that opens the day and saturated colors and a girl that comes running from far and out of plane (but then we do not know who he is or where it goes or, really, we care.) That image and those seem to remember him, even more than Mark, " Drawing Restraint 9 " of Matthew Barney, and also " L'Intrus " of Claire Denis : Curiously both pass also, in part, in one of those huge boats that pass through the ocean, but in this case is of tourists, but perhaps this closeness to the wilderness, that something sublime that makes us see beyond, makes (together with the vision of the filmmakers, above all) have a tempo common a peculiar treatment of the plane, all that sofisticacón ..; Other images, body and opposed , since the common denominante asymmetry, are of poor quality, they hurt the ears, are below the level broadcast, empastadísimas, and sound even worse, deafening. People dancing in the nightclub and other public areas cruise with that style so tacky.
At 80, Jean Luc Godard (alias JLG) has directed many films. As the percursor of that film and claimed he craved the creative freedom and rebellion narrative, which consolidated its own language, a universe populated by a character named character nouelle vague, perhaps the most friendly and digestible of his films, "in recent years has comtemporáneas dedicated to exploring issues such as communication in- , political conflicts and their impact on everyday life, memory (history?), etc. using an anti-narrative tone, or closer to the arthouse , more cinematic art, which now seems the only survivor in which no characters are the protagonists actions, but characters that are never presented and that you always are alien to the viewer, who simply things happen, and they have no importance, indeed, often seem to be on the edge Boredom And to finish on the distance puzzle set with the plot, the usual skeleton of a film, Godard makes these characters not only do not or do not show emotions, but also those speeches so loose as little chattering contextualized : we have the example of the black preacher of "Sympathy for the Devil" ... E n "Film socialism" is used, of course, this resort and all that Godard introduces and getting the result, by not opting for any kind , and stay on that fine line, tightrope, this strange record, without being pseudocumental, this time is closer than ever to Chirs Marker of " Sans soleil" , especially in the first part, which reflects on the civil hose, how the people have been corrupted, unique chapters of history ... all aboard an ocean liner, which is not without irony, political and cultural reflection vs. leisure, which are crossed, so coral but without even greeting, very different characters dance as soon as arerobic recite those famous words that never seem to have connection with your partner. Stories that intersect and seem randomly assembled, like mini-extracts, fruit of a multi-view, something futuristic that we always lose because we fail to store information. A man siguendo the trail of ex-combatants, a family hides in a gas station a few journalists who are intimidated, the same Patty Smith, who wanders around with his guitar as an outsider . Or other colorful characters unexplored, as outlined: the boy who never gets to make a picture, the exotic woman who sometimes speak to the camera in Europe (the great theme of the film) and it seems the narrator of this "non-story" but not just so and not get out more ... All so strange and so chaotic, so no man's land .
To me I really like, I find it curious the effect it has on the viewer's internal subconscious mechanisms, which here must be modified in this non-action and constant rebellion ..
The movie has pretty pictures like a close-up of a donkey and a llama, a ying yang almost casual animal, domesticated cultures, with an opera background music, or a wide open shot from a corner of the bow of the boat with the light that opens the day and saturated colors and a girl that comes running from far and out of plane (but then we do not know who he is or where it goes or, really, we care.) That image and those seem to remember him, even more than Mark, " Drawing Restraint 9 " of Matthew Barney, and also " L'Intrus " of Claire Denis : Curiously both pass also, in part, in one of those huge boats that pass through the ocean, but in this case is of tourists, but perhaps this closeness to the wilderness, that something sublime that makes us see beyond, makes (together with the vision of the filmmakers, above all) have a tempo common a peculiar treatment of the plane, all that sofisticacón ..; Other images, body and opposed , since the common denominante asymmetry, are of poor quality, they hurt the ears, are below the level broadcast, empastadísimas, and sound even worse, deafening. People dancing in the nightclub and other public areas cruise with that style so tacky. Godard I guess that means with all this, we live in a complex and contradictory society, and that taste good and evil live together, shake hands, as well as intellect and ingorancia even the democracy and dictatorship ... But none of this is explicit, has endless readings and this film, to call in any way, just suddenly, what I call European style, with no end or epilogue or anything that would tell you otherwise anything but a normal fade to black, but it just, THE END ... You have to stay a couple of seconds long in the chair thinking, checking, realizing the play's director, and then we rise. Europe said the same thing happened because "White Ribbon" of Haneke; "The Silence of Lorna" , the Dardenne Brothers , "certified copy" Kiarostami , etc. But this time, "Film socialism" for failing there is no credits, a way of denying the usual value, identifiable as a movie, with an artistic strategy.
* Although not compare, maybe "Notre musique" -which seems explaining the approach at first, I liked .. rque po, keeping all this confusion, has a file usage much more interesting, more voice, and I remember pictures and conversations "within the nonsense with name and seal JLG-hilariantes and resourceful, as the sailor fishing in the river or the gardener. "Notre musique" / Our music get that collective voice, choral Godard had been looking, and, despite its cold, get to touch heartstrings, feelings hidden recesses of history recovered. Not here. I do not know if not intended, or not get it. In any case, JLG is a political film & critical, albeit very poetic and abstract, and thanks you for representing the spirit on the card.
Wednesday, January 5, 2011
How To Unlock Netgear Modem Router
A view from the gutter
may be a worldview
The rebellion is to look up sprayed a pink eye
may be a worldview
The rebellion is to look up sprayed a pink eye
Pizarnik
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