Baby Footprint Quotes

FAREWELL TO LIZ TAYLOR, * No more 'cat on the roof' * / Where are the muses ...

A minute's silence "The Cat" which has stopped meowing. By and for those big eyes, which are the heritage of cinema and UNESCO ..

/ / / / Yesterday, March 23, cumpelaños day my mother left us Talyor Elisabeth, Liz, Maggie the cat -on a Hot Tin Roof, " Virginia Wolf, Cleopatra .. (Alter egos that do not need presentations, nor does it clarify the status and talent actress to print the necessity), the unforgettable for me Leslie, the woman between two men in the middle of a farm in Texas; Amy flirtatious sister, the woman in explosive " Castles in the sand " , many others ... The woman who raised her hand three times with an Oscar (R). A diva from head to toe, with cat's eyes, violets, and accentuated eyebrows, the most imitated. The woman who acted as pearls and diamonds something flashy, with that look affable smile that was a gift, this strange and nice to be the "person of confidence." A myth, as all that leave us, leave a huge void on the one hand, that no one can fill in or occupy, and on the other, and it is curious, his eternity, what happens to the History of Cinema and stays there forever in this vibrant and latent celluloid, with all its stories, like a pearl necklace that is the cinema (the cinema of truth, a movie with C). Anyway entremeció I found out yesterday at the office ... And I can not think of anything better to do, as a small tribute, farewell-to see the full gallery of his photos on the IMDB , an archive of almost 750 images, frames of his films, shooting photos, moments of his personal life and public ... I put up that I have gustaod more, perhaps the least known and published, the more natural, less than pose ...

And this exercise gives a tremendous dimension of time and, most interestingly, helps build the myth. A review of the life of Liz, for her beauty, by the change in style and ultimately the passage of time, its elegance, how much he wanted the camera, the beautiful characters that made of flesh and bone, the romances she had with some of her co-stars .. A life in the background was a mixture of fact and fiction, delivered to the movies with the inconveniences of time ... Far from embarrassment, seeing all these images, rather, has left me this strange and pleasant sensac ion, such as when someone leaves you see on your home photo album while going to make coffee. It seems that know a little more. I am left with vivid memories of her and a consolidation of the myth. That woman that seduced so many men, in and out of the screen, an actress from head to toe with many start this love for cinema. And, although not appropriate to remove turbid water and are best cheerful goodbyes, I can not say the sentence that gives me more than his death, when there is ridiculous roles to actors in this category with those who wrote the film, took time watching with my superadmirada Geena Rowlands, and also happening to Elizabeth came time ... I think a lack of respect for the myths, to beating a dead horse, of which myths and career fallen irregularly by a simple question the ravages of time.

- THE END -

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"Tres Irmaos", by Teresa Villaverde / Film & losers outsiders. Accommodations: the 'rebels without a cause' (New looks, new film / prism Luso)

s movie, absolutely wonderful story. One of the saddest I've seen, yet so sweetly told and treated. It is the second time I talk about Teresa Villaverde , filmmaker 5 *, Portuguese (pictured) on the blog and is also the second movie I see him and the second time with this and "Transe" , I think I'm pretty sure of inclusion in my top20 wonders of contemporary cinema. And that accounts had recently and I felt really good batch of the year was between 94 and 97, with gems like "An alien crazy" (Tony Gatlif ) "Before the rain" ( Milcho Manchevsky ) and many others.

What is hard to understand how his name is not re-known, is very strange that is not on the arthouse circuit, being a shining example but perhaps overshadowed by "the tyrants of luso films': Manoel de Oliveira and Jo ã or Cesar Monteiro ... Too bad, for that reason or another, see Teresa Villaverde films is almost an odyssey, an opportunity that is always in dropper and never be rejected, because they are real surprises . This time, thanks to a series devoted to the prolific Maria de Medeiros in the Film, held recently to mark the International Day Working Women , and its protagonist, I get to see another of his eight titles, a critical filmography: "Três irm ã you" / Three brothers .

thought Aki Kaurismäki was responsible for giving voice to outsiders, who made us understand your poor or desperate circumstances without the tear us out ... And although Villaverde stories are wilder, inevitable, irreversible and violent (and the Kaurimäki, commonplaces of the least advantaged) and style, cinematically, very different, Teresa Villaverde also sculpts the bitter feeling of those born in the heart of a conflict and can not get rid, get rid of him, and unable to stop the wheel entangled, constantly, that web , something which, little by little, I hasten to drift. Internal drift reminiscent of "Rebel without a cause" and, indeed, there is something about that. Villaverde is the wisdom of combining it with something that looks dim, compensate or quell the situation of pressure and unhappiness. Masked dramas with the possibility of change and those moments that one would want them to be eternal, for forever.

A story that begins with an approach almost 'beat ' , of \u200b\u200bpeople who live outside the conventions and most of society, which are supported and are responsible for each others, who share everything, what little they have, which are necessarily selfish, that their rebellion is a response to the lack of affection, they need to leave the city and start again but never achieved. Are 'forgotten', the children in exile, the perennial losers of the eternal oppressor: the father figure. They confronted the father and put in because his authority, and honest and brave, lost issued the battle door to the inside, were left outside the family environment, they are away from the nest as a brood of birds rejected the mother's affection necessary, 'la mamma' (more in a society like the lsl, of children raised and grown with single mothers) admired, needed, the anti-heroine, deeply cowardly, psychotic, dependent, - '.. ay Louca mae '/' mad mother ', saying Helder Helbert -. Are the brothers of Mary, who had to leave before they want to kill the father, save the mother and become even more unhappy than they were ... They could not -O-were not allowed to perform the feat.

Mary. reads the press release:

Maria is twenty years, but can not behave like most people his age. Almost never says what he thinks, and asks what he wants. Almost never tells the truth but never lie. Mata and says he killed. Suffering and says he suffered. Not wanting to be alone, but does not ask company. Ama, but do not know who. Born in Lisbon and was neither going to another city. Maria wants to be always with his brothers, but can not because the world has been organized well. Mary wants to stand all alone. Want to be strong, take care of everyone. Save all the secrets, his and those of others. Can not, the pain is great and she can not stand ...

and Maria de Medeiros a character quite endearing and affectionate, so careful with its own voice, as is customary in Teresa Villaverde, like or containing autobiographical-is great. Absolute character, mixture of innocence and maturity, as a child turned woman and surrogate mother was only a teenager, combining studies and work ... interpretation that took the Award for Best Actress in Venice Film Festival that year (1994), accompanied by a cast of category, Marcelo Urgeghe as Mario, the radio speaker in "Captains of April" (Maria de Medeiros, 2000), that I was warm .. actor that I was totally smitten, which has a striking resemblance to a young Miki Molina, and then Evgeni Sidihin as Jo ão older brother, to close the eternal triad. Triad links and attachments that are composed and recomposed identical but combination with another female component: Teresa, the eternal friend and always possible lover, that basically replaces Mary, the companion of road trip that never starts ... A nouvelle.vaguerismo aportuguesado , like Jim, Judd and Silver contemporaries. Great friends in bad company.

The rest of the cast with some secondary characters but essential, as the teacher of Maria, the only one who seems to listen, propuslsora of kindness, the son of the head of the office where he works half-time trigger a necessary evil, the goofy boyfriend and unconditional ... that takes neither good nor bad, relationships that make the balance that seemed to betray that, just barely, Mary kept .. Bonito's cameo Luis Miguel Cintra , a figure that represents as little lusa culture and intellectual.

all placed in a 'grounds' that is so well preserved, despite the ' noventero look', the film T. Villaverde, for a forceful style, mature, even if only 45 years, "European markedly while rooted native and Portuguese, by the clever combination of models, by the intense mixture. A state director of grace, in possession of truth, highly rated film. A native film-feelings on the line and the intensity of Faith Akin, or alubión also remembered for the Pandora's box that is the plot, the disenchanted Giuseppe Tornatore and crude, of "The Sconosciuto" ( I recommend to see and link to post) - which manages the flow of the story without a strictly conventional narrative, which makes everything so personal, that has a tremendous ability and good like to try the plane, who knows how to make small details and poetic touches in such austerity, these stories filled with unease, he knows even-and this is the best, give them a huge load of sweetness, light amid the darkness of the characters on the edge of the city gray. Something that absorbs the gravity of history, plummeting, melodramatic load absolute Shakespeare, something that can pick up, give strength to help support these characters adverse circumstances in which they live, their natural tendency drifting to the need for suicide, the membership underworld ... history that delves into the underworld and whose external manifestations locations- of the soul are also, which to me is an addiction: to recognize the intricacies of the city of my dreams, Lisbon , a Lisbon that I moved, once again, see, that opens the film with a plane generally from the top of the Mouraria a few meters of which was my home. And then and only leads by 'becos' (alleys), a peripheral hangouts and violent, decadent, seedy, B-sides of the city, shot mostly in Cais de Sodré ... A Lisboa restless, throbbing, disfigured despite its beauty between the explosion and closure, inhabited by characters and possible outcomes for different types of death. If you have a choice, at least once. If all that is contagious and gets to learn is to jump into the abyss and fall, hitting reality ... The friendship and love over the tragedy but to avoid .

certainly "Tres Irmaos" is a masterpiece. With timings perfect, frighteningly real dialogue, a wonderful design characters (and a deal to height), a roles and ability to break up with unpredictable situations in their complexity are totally universal. A film appears to do as you go. Honest, organic, deep, touching.

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"Heroin" YESTERDAY AND TODAY-> ) ... 'Marilyn, Pipilotti and lots of other girls NO' (exhibition at the Museum Thyssen Foundation CajaMadrid)

I've finally seen the preciousness of exposure (as long as join Fundación Caja Madrid and the Museo Thyssen ) announced to those precise close-ups of some of the " Heroines " the city with banners , heroines History, Art-and half- Mythology has been giving us.
starting exposure in attitude and key tribute on March 8, International Day of Working Women , and what better way to delight the eyes, these beautiful images, full of magnetism on a leitmotiv that generates so many 'female models' interesting, atypical for a moment as if we were sticking to us a window into a bedroom would unexposed History of Art, another image of women ... This time it is the muse, object of contemplation and, by extension, of desire, but heroin on his own strength. Both classic and contemporary, pictured with their instincts, their inner world, with the magnetism of a painting by Hopper . There's something about them, tremendously alive. A tour ends with two powerful visually, which compartmentalize this particular view of women: images of classic, dating back four centuries ago, paints yet seem to have some frames of a film, its narrative The expressiveness of the frame, etc. that in some cases self-portrait and, therefore, reinforcement; Second, contemporary images, photographs that recreate today such pictorial space yesterday, revising, reloaders meaning, and in which the woman is the essential as well as the motive, the total leitmotif "is that creates the image, which is ahead and behind.
And in that sense and in that amalgamation, the exhibition also includes some video, and live demonstration of heroin in action, which is great because, finally, a chance encounter, I longed for an eternity trying to do it, talking about Pipilotti Rist ! Which is probably one of my favorite artists, and that plasticity and visual universe, so well complemented by the use of body, of its meaning ... a true performer . That, like the rest of their contemporaries, change the directions of the clockwise breaks conventions, roles, icon, or handled with skill and a critical sense, since Art is partly responsible for the images that -provided and consumed, and carry implicit information. A Pipilotti already gave him, made 8 years, a wonderful retrospective at the Reina Sofía: those who were lucky enough to see we still have permeated this "Wicked Games" whispering sweet tune, accompanied by the tremendous charm of hypnotic underwater images. Here you can listen, is a delight:

back to "heroines", the female heroic acts and poses in the exhibition are divided into subjective categories, attitudes, roles (which can take a chronological journey but not mood, of 'state action' ) 1.Solar, 2.Cariátides, 3.Ménades, 4.Atletas, 5.Acorazadas and Amazons, 6.Magas, 7.Mártires, 8.Místicas, 9.Lectoras and 10.Pintoras.
precisely into the category of 'reading', which often very beautiful, "someone gestures when reading, absorbed, "would make an observation or I missed a picture that would have been in my opinion a great success, full of power and beauty: the photo of Marilyn reading" Ulysses " of Joyce . A superhero in action with that gesture, gesture that would probably not at all intended to provoke, but unbalancing or contradicts the expectations generated by its image, what society, the myth and the icon that became established that rightful star, the attitude, the 'drive' and gesture. This is part of his true self, your inner space, your inner self, side B, the reverse shot, the answer to his life as a myth. A daily picture, quiet and sincere, a Marilyn Monroe sex intellectual and not stripped of its own share of (being) an object of desire, sensitive, writing poems, which have recently been finally published ... A myth by which I feel quite weak, which is actually my favorite, "to which I hope to dedicate a project that has to do with the aura and the circumstances of living under the roof and the four walls of a myth. A project that took almost a couple of years running around, I hope to be enough for doing heroin.

*

The fact is that, over the centuries that goes, there is something common in all images that do form part of the exhibition, a survey by the heroic in all its manifestations: heroes in action, passion and passivity. Affinity. Absolutely amazing image of Santa Eulalia , lying dead under the snow. Still pictures dedicated to those gestures absolute desire and the ability to levitate, to see something that happens elsewhere, to remain absorbed in something like freezing time. It is curious that the first and the new heroines they look so similar. Sheer dresses, predominance of blue and green, or heavy, black, velvet interior nooks and open spaces with a certain quality of light, Imagna solitary, intimate objects, etc.

From the 'wood contemporary heroines of actresses' who have altered desbamcado myths and icons, that great generation 'random', a batch of artists like Cindy Sherman , Sophie Calle , Pipilotti Rist and Marina Abramovich, all maintain that close relationship and narrative entity body, or whatever it is, his own speech on the feminine, the importance of the gesture, reflecting on the images. All of them are, at bottom, 'Code Finder' containing the image and allow them to open and manipulate. Violence within the image. Marina is and will always be the strongest, most visual impact of a strong attachment to the feminine sense, as tension, as a tightrope or break, then are Sophie and Cindy (not included in the sample), skilled chameleon, absolute reference on the design, efficiency and mimesis of a character, Pipilotti Finally, in the middle of one and other, seduces with her femininity playing herself to end by violent mischief, or really naive little fantasies, with that sweetness that comes from childhood and suddenly, that something so universal. The work of all these 'heroines Images' is essential in transforming the image of the feminine, its universality. Action theorists who have long left the palette and they do very good use of technology, fitting, creating an impact to target other higher-impact visual culture disproportionate, "those responsible for continuing the video art that is still full of charm and interest, as it then ..


* EXHIBITION HIGHLY RECOMMENDED. Do not miss it!

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Explosions in SKY, Soundscapes and the concept of the contemporary sublime / sublime Remansos the picture-in-motion and composition POST.ROCK

This is a post for those who want to be in two places at once

*

Truth ... took weeks with one of those old curse it is to be condemned, as to roam the seven seas "to hear a song, whenever possible, as if it were a necessity, until the tune gets inside the head and is so internalized it seems that no longer fit or import anything. First I had fallen deeply "First Breath After Coma" , but to end the spell has caused the aura of "The Only Moment We Were Alone" of Explosions in the Sky , that wonder of the group touched by the wand of the sublime, of the wonder that is hard ' Earth is not a cold dead place' (2003). While the other day came to the office full experience of catharsis sound, looking forward to the final crescendo, and turned around the block to allow time to hear the song in full, the nearly 11 minutes one should stop for nothing, because they have a compact absolute beauty. Here is this wonder:

And is that 'bed' which look set to fall, with the delicacy of a leaf back and forth, all those guitar playing mood, depositing, by a stunning describes the specific situation that is defined in the title ... is, in my view, absolutely brutal what you get this theme: a kaleidoscopic picture, honest, real, total, in that situation. 'The only time you are alone with someone', without being a cliche, is something that all of us and loaded, we were all reminded of a face, a special moment that was lost could not be .. And it seems the crescendo 8:34 of 10:14 is that shock, that last breath, that longing, that last chance ... The epilogue of the story, the moral without moralizing, the call to get an inner strength, courage to be completely honest and act with that risk and go to find the person, hoping that where there was something special will be a well, something to rescue and recover .. I can think of one film scene, 10 minutes, the time it is-and there are other issues porfundamente emotional and try to go recogiedo, "I get so compactly cover this, be as explicit in the vicinity that can exist between two people (each getting this done as he pleases, or as you make your own autobiography project). The intensity of that memory, that we sometimes intimacy with someone and then is a losing battle our insecurities, a story of missed opportunities that could be our second or other life .., the intensity of that remorse universal.

And precisely for this illustration, Explosions in the Sky reminds me of another very interesting also training: The Cinematic Orchestra , for that style of 'eternal soundtrack' , although it is hypothetical, a hypothesis, but never get to shoot the film or not a film so sublime that it can be sound track *. Cinematic Orchestra also did this experiment with "The man with the camera to shoot" of Dziga Vertov of 1929 (a whopping almost a century), which is considered the first film History of , so they have something of that something primeval genesis of trying to find parts that fit to travel in time and have those experiences in flight. Those explosions in the sky, these landscapes.

But it is not necessary to make a video clip to illustrate. Not a video-clip sublime can never do a song that is. When something is sublime -and this is the idea that I want to emphasize in this post-, or creates and settles on a new plane of reference, there is no need to use all the elements that, when it comes of a conventional, would be required. Glad you "The Only Moment We Were Alone" not have video-clip. It is loaded drama and its own light, any attempt to video-clip would have removed some of that magic that is to see clear images through music, and have channeled (and somewhat limited) look, the interior gallery landscape that everyone has. I have the feeling that, no matter how beautiful it is the video, well that is done, that was wrong too "Svefn-g-Englar" of Sigur Rós , alias "victory rose" Another issue with that category, the ability to be sublime to infinity and yet now associate your video-clip, an overly specific, with an innocence and a shudder too obvious, seeing a group of mentally retarded Dresses Angels enter a trance ... HERE you can see. A group that said we did not find the words to describe his music, which also has some great. In contrast, an example of how the video-clip, without being an essential element, can be consistent / accompanied by a successful way the tone of a subject in its size and immensity, whatever it may be, is "Joga" Björk of a total symbiosis, as a complement. Next:

By the way, talking about 'the beautiful lady', recently Txarls - does not believe in my superpowers particle displacement or my clover 4hojas - reviews the BSO of "Dancer in the Dark" composed and I Björk was thinking in terms of conflict, what was truly sublime there: if you work it, or that of Lars Von Trier at the helm, or the sum ... For the soundtrack, though it may seem that illustrations is an added element, posterior, which is not part of that 'all' it's the movie (as a direct product of circumstances: a shoot), but a later stage sound supplies, assembly, final product. As could think of every one of them, the silent movie and the soundtrack, if you could remove that little two-headed monster, "as two masterpieces that respond to this new way of beauty that is 'sublime' contemporary .

Returning to Explosions in the Sky , probably very close to the concept and the fact of the sublime because it is exclusively instrumental music, apart from the vocals (and it's true: I, every so often, I think of music as if he needed this item, see wonders like Erik Satie or Miles Davis) ... The name or business card and anticipates an image of hodgepodge, so does Einsturzende Neubauten , alias' desmoronándose'-new buildings, life and death, order and chaos, beauty and accident, between the lost and found ... which always reminds me also 'Angelus Novus' of Walter Benjamin that from the top is the ruins in its path, or this beautiful story Daedalus and Icarus . Few issues can be raised without sunburn. Not all post-rock or minimalism e have this advantage or capability, they are rather few examples.

Many bands are supported or considered an essential part of its proposal and its mise-em-scène the video projections, naming examples I can think diverse as Mazzy Star or Massive Attack (the I've seen), which can intervene directly in the poetic or the message they convey to the public, more sophisticated. Further, the lack of discourse, including the background without meaning, without content, as a mere ornament, a free resource ... What I mean is that in the midst of this obsession to illustrate all, it is interesting that some groups think and create less material, that his music is more difficult to categorize. For example, my 'theme (thankfully) doom' of Explosions already has enough destructive power and inner strength to disarm, as for the catharsis , interior, beautifully violent, is already an inevitable process; That everything is kept as a pendulum, which swings and balances between the absolute mathematical, methodical, perfect, and the most affectionate, sincere, visceral, a mixture of pure explosion of feelings.

*

A context I made a reference name which is always a pleasure to bring, Michael Snow, part of these alternating currents or alternative cinema, keynote address, which may even be based on mathematical structures almost . Cycles, intervals, stages, sequences, new tempralidades, times and tempos (most issues Explosions in the sky allude to subjective time units), turning points, however, organicity, something whimsical, random ; narrative of the image, logical, theoretical, complex ...

Combinations are endless and the film-at least that can be accessed- occupies 99% of them: conventional audiovisual narration, ie the image and sound accompaniment simultaneously, without gaps or cracks .. However, the other unconnected stories that regardless of the concurrency have been some beauties that in any case are more difficult to digest. Many times when referring to this type of work, full of interest, with unpredictable structures and progressions ... (Which normally can be seen in museums) instead of frame, absolutely predictable patterns- as' Structural Film and Expanded Cinema ' or movies, taking formats and structures in the range of conventional, as "Adaptation (The Orchid Thief), of Spike Jonze , or " PI , faith in chaos "of the Darren Aronofsky at his best, opt for treatment or organic views are seen under a different plane of reality, raising questions purely natural, organic, the violence inherent in nature subject change, boundless issues that fall outside of our reach ... generating impulses, which is also seen in those long compositions running through mood cycles of Explosions in the Sky .

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"THE MATTER Ben Barka" / NouvelleVaguerianas stories, films (French) 60 and the picaresque. Hidden Chapters Sr.: BIOGRAPHIES NEEDED

... Di almost by chance with this movie and you are trapped, almost imprisoned, in a category oldads of TV-movie, it does no justice. "The Ben Barka affair" , directed by Serge Le Peron is an interesting film. The plot has a perfect structure, gender, that strange hybrid of melodrama and hat 'film noir' , As French, but revised, contemporary-hoist-o. Seems modest, but in reality this film (more in the middle of a media maelstrom and a billboard that so far this year, has offered little or nothing) is not only necessary to raise awareness and deepen, with great probability, in historical fact and the character that starred in, which, unfortunately, has passed quite unnoticed by her, but by being charged to the brim I would say, of elements that make it almost a guide, a French film tribute . Not to mention the cast, high class, where each blends perfectly and get frighteningly similar reasonable with the real characters they play, with actors with such brilliance, that ' Quelch choise' Mathieu Amalric as or Abrakian -Simon and saw that "Yes" of Sally Potter , which I posted in his day, "I like both, led on by someone very special veteran: Jean-Pierre Leaud , which is a tremendous pleasure to see at this point, because (leaving out Meliès, Chaplin and Keaton ) the history of French cinema is practically written on it, is so endearing and exciting for those who love the movies do well over time, with that naturally, with the same expression as always, in fact quite inexpressive ... The child that so many pranks and adventures Paris has played in the always-for-so tempting francophone filmmakers fine line between political correctness and what can legitimately The advocacy of the rebellion that shaped Nouvelle Vague ; or Existentialism ...

The fact is that there is something I love about French cinema, especially that develops on the streets of Paris (a devastating rate): it feels "deeply Parisian." View soufflé A bout him, The 400 Blows, My Night at Maud, Lift to the scaffold, Zazie in the Metro .. and a long and incomprehensible etc. is to see the characters do things for the city, making almost fall for it. They have a very close relationship with her, know the alleys and shortcuts, frequent the cafes and bistros, are regulars on the jazz clubs, the waiters are called by name and know what they make, are made visits to their apartments, chat Affairs personal, transcendental until the wee hours of the morning, accompanied by glasses of wine and cigars incalculable; Others live (or barely survive) in dingy rooms and loft shave in the mirror in the room. Guys who take appointments, meetings ..; even leave the car and started exactly the film-... Samples of camaraderie with all the flavor 'tipycalment parissinne' , reflecting real stunningly habits, daily life, the pace, the lifestyle of the city itself.

And of course there B-sides of the city underworld, special places to which bourgeois thought, materialism and conformity seem to have arrived. And the 60 would join the strange mixture of intellectual and gulfs under the same roof: the open sky of Paris, the B side of town, no strings attached, to give free rein, each in its own way, freedom and debauchery, respectively, together with the denial of an established order of things, rejecting . Searching the recesses, one of the law to their advantage, others, influential: looking for information denied, hidden, to show what really is happening, for the common good.

And that is precisely "The Ben Barka affair" , agitation and provocation of intellectuals, complemented by measures of crime and corruption. A complex background, socio-political agitation, in which France is confirmed as the power, ruled by Charles de Gaulle , and the repression of their colonies seems to take power and voice to this issue: Ben Barka , a historical episode and the name of its leader, who, from the opposition, Morocco, and, by extension of the third world, fought inequality and gave voice to overseas (colonies) where real grappling massacres. He advocates make a documentary about colonialism, which is the turning point of the film, and it was, I understand, also of reality in which all the people involved will meet in the famous scene synthesis of the Brasserie Tipp. A kidnapping in broad daylight and in the heart of the city, a busy Saint-Germain-des-Pres , where someone just disappears without a trace or witness, and no one is able to help, not nothing, just as in "Frantic" of Polanski where Richard Walker, played by Harrison Ford , sought desperately to Paris, almost in vain, without knowing the alleys, nooks, games, local codes.

One of the things I like and I think that best suits him to "The Ben Barka affair" is the fact that within the plot, there is a pre-production process film, reflection, meetings and discussions about how to shape and bring to the screen a topical issue for a political documentary, we see that 'work in progress', which enriches a strong point of the plot: the importance POV. Coexistence of two planes of reality and fiction converge, which here contribute to strengthening the idea that reality is often stranger than fiction and that it irreversible events occur we can not control or avoid.

That is precisely what he feels and he is especially the character-one of a real-life and documentary filmmaker Georges Franju , played by the great Jean-Pierre , which is or represents the location of the viewer, at least an engaged and critical look, which includes the barbarism without knowing how to avoid feeling guilty and responsible for other persons, for damage and congestion. Pities failing to prevent an unusual fact that could have changed the course of things in the world. In her crisis, personal, professional and existential apologetic to the fact I get to have hallucinations never really know where reality ends and where fiction begins, and this is a coral biography: From Marguerite Duras of Georges Franju of Mehdi Ben Barka of Charles Figon . How to know and sets a string of false favors, a gear whose consequences are in fact a corpse.

Franju And so moral, so committed to his work at his own unbelief have fallen into the trap for him to undertake this project necessary and a very serious matter - make that documentary, "since, unwittingly or unknowingly, that would hook up to the legendary Ben Barka Brasserie Lipp, where never go ... feels a bitter disappointment. Just the time finally came to know, what a brilliant resource, because they feel a mutual admiration, and previously only had been greeted on the phone and just share some impressions of what the documentary could be, and Franju was unable to attend the previous meeting, for fear of flying. And Finally, when a reference librarian as he, the French intellectual elite, with a critical eye, and Ben Barka , the celebrated Moroccan opposition leader, are very near, about to eat together and Franju already expected, produces irreversible. While sharing tables and wine with the guy who gave the tip, which fell so low, who gave up a good cause, the truth, to carry out this evil plan, without remorse, and with it their own personal: the possibility of leaving of the absurd and mediocre life spiral, always bouncing from scam scam, moving in that batch of questionable legality ... betraying all those who sponsor, those who gave their vote of confidence for him.
Paris witnessing a violent thing, not explicitly, full of nuances, dark, with latent conflicts ... And this is the story of how the intellectual class is corrupted and manipulated by a guy unscrupulous, willing to go to where it is necessary to save his skin and out of this absurd spiral of eternal life lies and rehabilitation, offering the promise of a better life for the lover with so few resources and output as he, the eternal Actress Anne Marie -indeed, it is true, the actress made cameo appearances in several classic of the Nouvelle Vague, that reminds me of the preciousness of box "Bar des Folies" of Manet - character who has more personal for the protagonist, Figon that is just, for lack of affection and scruples (all intended to make or receive anything) the thread, sin also naive to think that he would clean the move to have 'face provincial notary', as he says her lover. and indeed the film begins begins: a corpse lying on the floor of the miserable apartment do not know what district ... and then gives a flashback we will know the true history, how to take out the trap has to be previously a trust, to reach the agreement.

Then, once the damage is done, the trial, which has much to do with "The Stranger" Camus of : witnesses not feel comfortable with the court order to answer provocative questions absurd, an atmosphere of confusion, the inability to explain the events-that is, in essence, a way to show a strong disagreement, "as that unforgettable character, a stranger in his own land, indifferent reality, the thin line between guilt and innocence, in which logical processes are broken, it creates new ones.

coral A nice story, with many executioners and one victim. A kaleidoscope of fact, occurred in a major landmark of Paris, unjust, in which the power stru truth, takes away the map, as a paper to be squeezed and pulled. And above all, "The Ben Barka affair" is the story of how it affected each such event, ie what degree of awareness and consciousness each had, in the midst of these interlocking interests of a double standard, with the reality and status of politics. That feeling of a ship about to wreck it is, sometimes, fate, the future ... Film with political overtones highly recommended.

And that film or dyes nouvellevagueriano siemper sponsored bet and the picaresque, in these small bays that 'amor fou' for one night, uprooting understood as triggering questionable actions amorality, caring and closer to these beings 'without a job or benefit', wandering around town looking for the perfect opportunity, change, a stroke of luck, and so has been ever since the French cinema, "the eternal tribute to the underworld, film par excellence of the oppressed, not the oppressor.

Ah, to clarify (and that is, without doubt, its greatest merit) that " The Ben Barka affair" , despite not missing a single gag, one of tic cinema of the time, everything leads us to the historical background portrays the year 1966 is, however, in 2006, 40 years later, although all processing is an astonishing verisimilitude.

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Once upon a time a group Radiohead, who always gave the bell ..: 'The kings of the limbs'. / DE RADIOHEAD A Einsturzende Neubauten, New models CHANCE

... Remember those books that, as you would have happened, you could go to a page. or other? Yes, 'Choose your own adventure '. Well here's one.
to / I want a 'plate' 100% Lapore, on why the panorama de la musique is hot, what's with the law Sinde (or I think of it) and why the urgent need restructuring, new models habits, etc. stick around.
b / I want to save you roll and know directly why and how Radiohead has given the stroke, and how they and these exclusive albums, I get to Einstürzende Neubauten, and I believe without having lost his head, moving up to approx. half of the post (indicated by an asterisk)
c / That you just want to know how I got to "the beast of Berlin" anniversary that are above and are "old hen 'in all senses and possible levels of this post, go to 3 / 4 part about the post (ibid.).
You choose!

------------------------------------------------
----------- * "CHOOSE YOUR OWN ADVENTURE": IF YOU HAVE CHOSEN TO STAY learning about the secrets, WELCOME, THE ADVENTURE BEGINS HERE.
be both master and helmsman of the ship, and fellow editor of this rag / blog / blog ... let discussions and a wealth of content in the ink, by the way, in the end you do not have time to write is passed today. Fortunately, sometimes restores its own present today to a story, and you get to spend the post that it took no time. The fact is that about 2 months I wanted to do my own thinking on the subject of the discharge and the famous and most hated law: "Law Sinde" , is not the same as having the most incompetent Minister of Culture Halftone and throughout history, than promote a necessary law.
My opinion and position with the whole issue goes back years and has caused me endless and exhausting discussions with friends and colleagues for being the only (or one of the few in my circle) on board this boat, go to FNAC rather than ride the mule, buy discs and original films, ever, not downloaded, and, most importantly, be in favor and defend the copyrights!! Yes, that little c inside a circle, a symbol that should be on hand on the keyboard of course.

And it .. Enough of such discharge and so little copyright, of taking away the value that way to the movies and music. We need more discretion and less discharge. That space is mad and uncontrolled network that unifies everything, everything becomes accessible, where anything goes ... You need people to respect, rather, to re-learn to respect the work and its creator, stop shelter under cheap excuses like not wanting to enrich the record moguls ... -The lower the illegal downloading, hence self-creators will see little, or that the discs are expensive, not true that there are always offers, and I buy music and movies since I have 15years and have never gone from mileurista. The issue is quality not quantity.

Anyway, we were at a point where it needed new options and models of production, especially to address this failure / box office slump, the cinema was the 'worst-standing ', that change of habits derived from the total savings of what was once the quintessence of culture, this lack of patience and discretion.


* "CHOOSE YOUR OWN ADVENTURE": AVOID IF YOU HAVE DECIDED TO PART OF THE PLATE IS FROM HERE ..

And then ... in the middle of my little anger, my temper tantrum before this 'carnage', one of the most respected bands for music lovers, Radiohead , suddenly announces which premieres new album, his eighth work: "The king of limbs " . Announce the market release date at short notice, so that all fans, talk about million people, organizers of festivals, halls, almost everyone involved in the business or industry musical ... all revolution, riot, expectantly. The impact is created. During this wait, very cleverly, hang themselves in high quality youtube and facebook -networks certainly more drawing power and presence on the Internet, the video of single: "Lotus flower" , here's this rich topic with the usual bed da / thickness at the ear is done gradually. A sequence shot starring, as usual, by itself Thom Yorke , which the trickster is almost novelty dances that look so deshinhibida, almost childlike (by the way, it reminds me to 'Body Rock' of Moby , which also enj bailoea much, one of my favorite music also would have to do almost daily, healing and health gains), which has already seen more than 6 million people (or times), states soon.


* One of only 8 tracks on the disc, a sort of short movie, which seems that, far from being a disappointment to those who already have fully heard, is a work of synthesis, an allusion to the almost old-fashioned 'less in more'. As Kaurismäki never reaches the 90 minutes of footage and distorting the data, to enter rooms. Anyway, what else will all that, there are sometimes ridiculous restrictions and factors ... Things that require duration period. Fela Kuti , Satie or Explosions in the sky, shorter wonders have durations ranging from 6 and up 22minutos and, obviously, may not the same components as a mainstream album.
But, going to kid of the question, good example, about ten days, things changed: "The king of limbs" out in digital format (the format of the most impatient) and it was up to yesterday's edition album 'PACKAGE Newspaper' , in vinyl, which also includes digital download compatible with any media player (as is usual in most edited vinyl), with the elegance of being included shipping, which is great because sometimes prices soar, without going further myself recently, in the process of purchase, finally gave up on this plea to one of the Dead Combo -.


The pack, which I am calling "Little Red Riding Hood's basket 'includes two vinyl records about 11 inches in particular, a compact disc; Many large pieces of artwork, 625 small parts joined by a piece of oxo-degradable plastic. In addition, some lucky owner of "The King of Limbs", bought at the official site, in fact, the only platform for selling digital formats, will receive a copy of a vinyl autographed 12 inches with two songs.

*

And is ... Radiohead or are visionaries or should be very careful, have a skill, a special intelligence to take the place of the viewer, turning around and getting the story always keep the balance of its success, its relevance, if that, besides all that, reinventing themselves-and not only with their albums but with 'his life around', ie its model / mode of production, promotion, communications, etc. .- no "re-educate" their fans . Work certainly benefits the rest of the bands, all music in general. And it is true, the secret of his success is due, I would say, out of this economic blockade and value the support that music was doomed and get back in the necessary relation of supply and demand. They have done through browsing, I would say, two major premises: exclusivity and trust. words many people buy bonds festivals without knowing a single name of the poster because they trust that the result will be to your taste, because there is a seal, a definite style, a certain guarantee. On the other hand, is older than hunger and a great way to promote the best, engage with even more faithfully, if possible, with personalized products, surprises, extras, etc ...





Anyway, all this care, so much detail, that 'quelque choise' irreplaceable, which is unfortunately the only way out and the possibility of market (and selling) of a product today, outside its quality, given a value, including, in particular, 'non-affective media ", what to do or add to motivate your purchase; Vinyl has always been full of that' love for the crack" is not a support not only is a fetish, a kind of consumption and melomanía: "BACK TO BLACK"), even though I have my reluctance to buy on vinyl all kinds of styles and groups. So ... are these beauties are what the world publishing illustrated books, the 'artist books'. The idea of \u200b\u200bthe disc contains related add-ons like, and in the case of Radiohead I'm sure they will not limp, or would not have included. Indeed, one of them should be: in which they apologize for the delay and if I say that has made D aniel Johnston, a great illustrator, with the same stroke, I believe it. I found, as an example of artwork on the basket, this one ..:


* "Choose Your Own Adventure" ONLY IF YOU WANT THE REAL UNDERGROUND GROUP ALEMANOTE MORE, HERE IS.

But not only did they put on the market this type of issues that both worth buying and which prevent mass downloading. Less media groups also have. My dear Einsturzende Neubauten, for example. In addition, long ago I want to talk to them. In fact, given the choice where to make the investment, I think I stayed with his chest retrospective 30-year career, an absolute innovation and cutting edge like few, virtually anyone can claim, as few can boast of more creative within the music scene. And the group has invented Blixa Bargeld sounds, styles, and do have an interesting way to celebrate: Einstürzende Neubauten
selected a number of significant venues for them and serve two consecutive nights in each city. In the first offer an exclusively musical show where he reviews all the creative stages. While in the second the show will be divided into three acts: a sample group of visual and artistic installations, a small set presented previously unreleased tracks that have never before been performed live and actions of its members with their compositions side projects. Which gives even more force to this unique training, Superbanda, that amalgam so strong.
Well, how to establish close relations with the public, IN know much. The Fans are sponsoring a sort of quota system as a partner, and in return access / receive exclusive content and a key to understand / participate in their work in progress, material testing, improvisations, all kinds of extras, not the forced and sometimes almost absurd relationship , here s uc ONSEQUENCES feedback. Blixa - the least is that neither has played with Cave ck, what r abia me is when refer to it as well- and co. rates are very experienced and respected results, that way they get maintain a sort of independence is certainly , insurance, what gives them the possibility to create that so spontaneous and brutal, no one will cut the wings.
Ah, I can not tell: weakness of the Americans, so obsessed with security that ultimately turns against them ... they will be prevented from entering a couple of months for an extensive tour on American soil, canceled by a problem with their visas. Since then, read to believe. It's their loss. Unfortunately there is no news that will come here, not in a context that allows them to do the full program, Full concert

= ^ = Multi-disciplinary experiencese
(and of course, I ... do not wait to see the second, more artistic): Yes there

possibility that can comfort a little, the opportunity to see them on stage, which started my desire to want to go again this year, the Primavera Sound . And in a band of 'high class', which also has been left to soak, be polluted by some even newer so-called 'vanguards', which gives a historical roots weight and incredibly strong and rich, in that constant flirtation with the greatest innovation. And yes, the 'beast of Berlin "have completed 30 Añaza in music, forming part of it and equally transgress. A search for non-recurring styles, or easy melodies, reason enough to consider them regarding all these bands 'difficult' intentionally, as might be, precisely, Radiohead.

* Y ... "CHOOSE YOUR OWN ADVENTURE 'COMES TO AN END.