are silent on the old walls
traces of time
(haiku)
Tuesday, April 26, 2011
Sunday, April 17, 2011
Cock-shaped Waffle Iron
(8)' OBJECTS WITH SWING '/ Lapore in "Mundo Babel", PART 2, / THE SUBJECTIVE USE OBJECTS IN THE CINEMA: McGuffins and fetishes
Remember intimate and very personal, almost intimate conversation on subjects which we had on Saturday 16/04/2011 in the program "Mundo Babel" - every Saturday from 10 to 12 - of RADIO3 is something special. Soon those interested in podcast you can listen . Meanwhile, say Juan Pablo Silvestre returned to create a sound environment, to make one of those ' rubik cubes' made of pieces that eventually fit. The grace, luck, honor, this time for me was that I had to compare my vision of the objects of Frederick, a collector of Art Deco that captivates by the relationship he has with objects (and all must be said, has sparked me wanting to buy a set of salt and pepper as penguins are a real beauty). By the way, I recommend you to take a look at your web and all those amazing objects in that said game cocktail shakers "Zululú" . Anyway, I think in the list, in a summer house in winter ... in that eternal 'list of objects to swing, constantly changing .. only things I can think to add, every time. The wind combing the late afternoon a cornfield or up the path that passes by a lake, for example. I know all these things serve a very broad approach, something almost poetic than it is the "swing", but it is clear that none of us was already referring to the original musical concept ... Perhaps the most meaning to me I associated was that of 'halo' . And as a small tribute to that experience-for a more Avaz, I chose 8 objects. Objects is not that I have or belong to me, but part of my memory, my ' memorabilia ' personal, as my culture and my references are mostly film (and film the best and who can make them shine, "objects that have something that makes them memorable, with history, with a special purpose: either by their relationship with the character, as part of its characterization, or why Hitchcock and thereafter has been called the ' MacGuffin', ie, elements that seem to have a meaning and that advance the plot.
*
1. THE PENDULUM ( "South" of Víctor Erice). This element of mystery, almost alchemical, is the admiration he feels for his father's star, a distant and type at the same time, the 'eternal Peter Pan' , which occupies the attic of the house, deep in things. Pendulum one morning to discover that under your pillow is the sure sign that there has been increased, the farewell, the pendulum over from master to apprentice ... Habérselo's gesture left represents the fraternal bond / subsidiary, which will unbreakable, though he is gone forever. The pendulum is also a subjective measure of time, an obsession of his films of Erice, the same as that vane on top of the house, marking the cardinal points, destinations, irreversbles changes.
2. LAMP ( "Blue" , Kristof of Kievslovsky ). I think my favorite. Julie -the only character from the screen when I mimicked habits, it is the ball of vanilla coffee- feels so sad that I feel like neither forces to mourn, tears are the accounts of that unforgettable blue light, which are also musical notes of a score that tries to forget but it lurks in the head . The lamp is the only quirk that allows you to save your previous life, that house full of memories of a life he shared with two people who are not, which have left a huge void that no one can fill, tremendously blue. The lamp is, ultimately, his inner world. With scenes like this with such intensity, with that awesome music of Preisner The film is something that gets to touch and shake.
3. SHOES ( "Johnny Suede" , of Tom DiCillo ). Johnny Suede is a bad-guy who lives in a cheap hotel room and dreams of becoming a rock star. Always admired these guys so elegant, authentic of rock'n'roll stars head to toe. One day he receives a signal almost 100% divine humor DiCillo, much in the vein of Jarmusch -: splendid shoes fall on the roof cabin from which to call, just those who have always wanted and to give the necessary distinction to be one more. Are your size. In fact this signal is incorrect and this dream will never meet, but initially appear to the contemporary-and rockabilly-of Dorothy's shoes ( "The Wizard of Oz" ) the item that will complete the uniform given the superheroes and superpowers than an ordinary citizen will give just the styling that has always longed for and could not afford ...
4. CHOCOLATE ( "The Dead Mother" , of Juanma Bajo Ulloa ). It's amazing how Juanma get-in has always been for me the second best film of patriotic film after "The Spirit of the Beehive" - make something edible on an object, though not always the same chocolate is something indstrial and therefore always has the same form, but it is a success of the plot: an addiction shared between victim and executioner, a few ounces of chocolate as the major draw () that holds the Lobo Ishmael, in their evil just for a moment in that house, the need for small Riding Hood, Leire, displayed and their destinies are forever intertwined. It is also the reason that makes relationships become more complex and unhealthy, you see a strange love, in the midst of an evil plan ... Before the trauma of childhood, chocolate ends up being the only answer to which she seems to react, while for him is more like the hiss of "M, the vampire of Düsseldorf" that eventually give him away and take you away it.
5. THE LIGHTER ( "Xiao Wu" of Zhang Ke Jia ). This time there is importance in the object, but the fact that a guy who wanders the streets impassible to all, reaffirming, at every step, as a Sinequanon of 'outsider', feel a special devotion to the 'Stupid Car fair ', a sort of lucky charm, with an unbearable and tacky music that plays every time you turn it on. A little rascal, who steals, smokes and smiles every time he hears that pedaiza song. Or do not remember or this adaptation of "Pickpocket" of Bresson will -I saw 7 years in the festival Indie Lisboa - introduces the new object, with its stunning naturally, and in doing so seems to give a whole new aura, a particular china idiosyncrasies. This treatment of the subject could be taken on a more sentimental, giving the ball bombre that child in an impasse "The Ball" ( Achero Mañas ), which always carries in his pocket and seems even to keep him safe.
8. BOX ( "Return" of Andrei Zvyagintsev). This cycle of 'objects with history, which began with a father who leaves, it closes with another, one who returns unexpectedly. Andrei and Ivan not recognize him as that type of photo stored in the barn, no longer want to hug him, or go fishing with him. However, they are almost forced to take a trip with him, between drama and thriller -of-tragic outcome to an island, in which the father has buried a box in which we will never know the contents. And, with the use and implications of all elements in this film is absolutely iconic, a direct legacy of Dreyer, this seems a "Pandora's box ', something we will never understand .. Secrets, based on a march, a turn, a need to exercise a role lost, to discover what things could save (and hide) a parent in a box ..
Remember intimate and very personal, almost intimate conversation on subjects which we had on Saturday 16/04/2011 in the program "Mundo Babel" - every Saturday from 10 to 12 - of RADIO3 is something special. Soon those interested in podcast you can listen . Meanwhile, say Juan Pablo Silvestre returned to create a sound environment, to make one of those ' rubik cubes' made of pieces that eventually fit. The grace, luck, honor, this time for me was that I had to compare my vision of the objects of Frederick, a collector of Art Deco that captivates by the relationship he has with objects (and all must be said, has sparked me wanting to buy a set of salt and pepper as penguins are a real beauty). By the way, I recommend you to take a look at your web and all those amazing objects in that said game cocktail shakers "Zululú" . Anyway, I think in the list, in a summer house in winter ... in that eternal 'list of objects to swing, constantly changing .. only things I can think to add, every time. The wind combing the late afternoon a cornfield or up the path that passes by a lake, for example. I know all these things serve a very broad approach, something almost poetic than it is the "swing", but it is clear that none of us was already referring to the original musical concept ... Perhaps the most meaning to me I associated was that of 'halo' . And as a small tribute to that experience-for a more Avaz, I chose 8 objects. Objects is not that I have or belong to me, but part of my memory, my ' memorabilia ' personal, as my culture and my references are mostly film (and film the best and who can make them shine, "objects that have something that makes them memorable, with history, with a special purpose: either by their relationship with the character, as part of its characterization, or why Hitchcock and thereafter has been called the ' MacGuffin', ie, elements that seem to have a meaning and that advance the plot.
*
1. THE PENDULUM ( "South" of Víctor Erice). This element of mystery, almost alchemical, is the admiration he feels for his father's star, a distant and type at the same time, the 'eternal Peter Pan' , which occupies the attic of the house, deep in things. Pendulum one morning to discover that under your pillow is the sure sign that there has been increased, the farewell, the pendulum over from master to apprentice ... Habérselo's gesture left represents the fraternal bond / subsidiary, which will unbreakable, though he is gone forever. The pendulum is also a subjective measure of time, an obsession of his films of Erice, the same as that vane on top of the house, marking the cardinal points, destinations, irreversbles changes. 2. LAMP ( "Blue" , Kristof of Kievslovsky ). I think my favorite. Julie -the only character from the screen when I mimicked habits, it is the ball of vanilla coffee- feels so sad that I feel like neither forces to mourn, tears are the accounts of that unforgettable blue light, which are also musical notes of a score that tries to forget but it lurks in the head . The lamp is the only quirk that allows you to save your previous life, that house full of memories of a life he shared with two people who are not, which have left a huge void that no one can fill, tremendously blue. The lamp is, ultimately, his inner world. With scenes like this with such intensity, with that awesome music of Preisner The film is something that gets to touch and shake. 
3. SHOES ( "Johnny Suede" , of Tom DiCillo ). Johnny Suede is a bad-guy who lives in a cheap hotel room and dreams of becoming a rock star. Always admired these guys so elegant, authentic of rock'n'roll stars head to toe. One day he receives a signal almost 100% divine humor DiCillo, much in the vein of Jarmusch -: splendid shoes fall on the roof cabin from which to call, just those who have always wanted and to give the necessary distinction to be one more. Are your size. In fact this signal is incorrect and this dream will never meet, but initially appear to the contemporary-and rockabilly-of Dorothy's shoes ( "The Wizard of Oz" ) the item that will complete the uniform given the superheroes and superpowers than an ordinary citizen will give just the styling that has always longed for and could not afford ... 
4. CHOCOLATE ( "The Dead Mother" , of Juanma Bajo Ulloa ). It's amazing how Juanma get-in has always been for me the second best film of patriotic film after "The Spirit of the Beehive" - make something edible on an object, though not always the same chocolate is something indstrial and therefore always has the same form, but it is a success of the plot: an addiction shared between victim and executioner, a few ounces of chocolate as the major draw () that holds the Lobo Ishmael, in their evil just for a moment in that house, the need for small Riding Hood, Leire, displayed and their destinies are forever intertwined. It is also the reason that makes relationships become more complex and unhealthy, you see a strange love, in the midst of an evil plan ... Before the trauma of childhood, chocolate ends up being the only answer to which she seems to react, while for him is more like the hiss of "M, the vampire of Düsseldorf" that eventually give him away and take you away it. 
5. THE LIGHTER ( "Xiao Wu" of Zhang Ke Jia ). This time there is importance in the object, but the fact that a guy who wanders the streets impassible to all, reaffirming, at every step, as a Sinequanon of 'outsider', feel a special devotion to the 'Stupid Car fair ', a sort of lucky charm, with an unbearable and tacky music that plays every time you turn it on. A little rascal, who steals, smokes and smiles every time he hears that pedaiza song. Or do not remember or this adaptation of "Pickpocket" of Bresson will -I saw 7 years in the festival Indie Lisboa - introduces the new object, with its stunning naturally, and in doing so seems to give a whole new aura, a particular china idiosyncrasies. This treatment of the subject could be taken on a more sentimental, giving the ball bombre that child in an impasse "The Ball" ( Achero Mañas ), which always carries in his pocket and seems even to keep him safe.
6. THE FIGURINE / SOUVENIR ( "Frantic" of Roman Polansky ). To keep objects in the field of cinema contemporary and not resort to McGuffin as collar "Vertigo. Among the dead woman of the table will find out that Scottie and Madeleine are the same person Judie, Another example of object: the Tourist figurine in the form of "Eiffel Tower", that stupid souvenir, the last object in the suitcase that Dr. Richard Walker, an American who desperately searches for his wife in Paris, has the engine to find it and in the end it turns out, in appearance 'harmless' in its small scale, the key element that will end this nightmare almost full daylight.
7. THAT OLD NEWSPAPER, THE CLEANER, AND 'OTHER THINGS OF PLENTY ' ("Welcome to Belleville" of Sylvain Chomet ). Unjustly convicted and punished to the background, the animation has excellent examples of realism, not only in their graphics, but the characterization, extremely careful, humanized detail of the characters. In this case, three elderly women who remain in their filthy apartment apparent domestic objects that her guest, in draw, thanks, is about to throw it away. And which are the instruments music with those who still do their old show and recover lost his fame and glory, a Paris jazz magnificent 20-year very Deco, as objects of Frederick, now in this sordid little left periphery and more than these old objects. A very nice reflection on the value of the 'vintage ' ...
8. BOX ( "Return" of Andrei Zvyagintsev). This cycle of 'objects with history, which began with a father who leaves, it closes with another, one who returns unexpectedly. Andrei and Ivan not recognize him as that type of photo stored in the barn, no longer want to hug him, or go fishing with him. However, they are almost forced to take a trip with him, between drama and thriller -of-tragic outcome to an island, in which the father has buried a box in which we will never know the contents. And, with the use and implications of all elements in this film is absolutely iconic, a direct legacy of Dreyer, this seems a "Pandora's box ', something we will never understand .. Secrets, based on a march, a turn, a need to exercise a role lost, to discover what things could save (and hide) a parent in a box .. Thursday, April 14, 2011
Friday, April 8, 2011
Does The Alarm Work When Iphone Is On Silent
Red Oak on the river ...
And tell me wonder red oak on the river
always ends up the river
the drags me as his own channel
The drag me. Him
-Bethlehem- Benito
Thursday, April 7, 2011
Jerusalem Bible Online With Commentary
"Trios & Triads FILM: mythical scenes, under the 'ménage à trois' or platonic love .. (From Truffaut to Jarmusch) * 3 *
Actually, this 'not worth', I wanted to bring her to present the post, because I have a weakness for it, for expressiveness, sweetness ... to be the freezing of a beautiful dramatic moment, which overlap a hug and a kiss, the two expressions or gestures of affection and love, how a woman receives simultaneously from two different men. not worth "Hierro 3" of and the preciousness of time / frame of Kim Ki-Duk because them one of them do not know, do not share the woman (not officially), have decided to succumb to an agreement de-possessive love between three ...
*
The short route I propose is the other, the scenes and moments that the screen-and not just the cinema has given us and are always loaded with a 'quelque chose' , that of fair play, has a lot to do with a teen spirit that could allow things to be otherwise, stripping, deshinbirse standards, enjoy an adventure in common .. Here are two examples
's little brother, the youngest of film: the video, especially when you plot to open mouth-and are also two issues that absolutely love: "One the first trip of adolescence that you never forget ... the "Lady" of Modjo song that I love, which brings a smile because it takes a teenager's hand with this heartwarming story of friendship, a mixed triad in its splendor, fraternal, this time it seems that no right to touch, The other, a story that advances the first experiences including adventure to discover the feelings that one kept, with that incredible voice jet Skin, that gets me every time, like the first, goosebumps-incidentally, recently made the mistake of missing live-
Skunk Anansie
Love stories without love is sometimes said, even without kissing, but always three.
Many times I say 'my guys' housemates' This being 2 boys and 1 girl is very cinematic, "I feel like Jeanne Moreau running with them across the bridge" ("Jules et Jim " ) and die of laughter, it not because our relationship is strictly domestic, friendly and, above all, if we were not so narrow hallway, who knows if things would be otherwise and could recreate this scene ...
And indeed all, as any hint of rebellion, began with the Nouvelle Vague or take shape as a new modus vivendi , a 'republic of feeling' in which two friends share a girl in an emotional balance and she understands that thinks so so everything is full, why there has to be rejected and a choice. They are often traveling companions, at home, seek to carry out a dream together, take a road trip interior, although there is no car, no distance, or displacement.
is strange how the interpersonal relationships 3; miss her taste ... Inverted seems that something is processed, generated some other intentions, other impulses that everything revolves around another kind of seduction, perhaps less natural (try to prove the 'post reply')... but, especially in the case of two male and one female elements can be generated 'that strange gang with interlocking interests bordering on infatuation', in almost all its variations, which could lead to a kind of 'agreement' by to share the girl, when she was unable to choose between one another and in their full consent, without breaking the old and long friendship between competitors, now complicit in a deal, beneficiaries in equal parts, of that total freedom, partners ... case it's true: there is always magic something very film, two boys and a girl. An eternal tension of feeling, of incalculable epilogues and open late.
are the best friends sometimes share beds, two Peter Pans for Bell ..
In some cases it can wreak absolute passion, sex deprived, the carpe diem, while in others the desire remains in the realm of Platonic this vulnerability when we realize that someone has become himself indispensable in our lives. That premium, for example, that comes ("Stranger Than Paradise" ): the principle is only a burden, a commitment, no feelings and does not appear to be any, but then .. this turning point destabilizes everything that makes it all remains in the balance of feelings, in that amalgam to the surface.
contemporary cinema has given voice to some, always unforgettable, sometimes these people, who prefer to stay outside the conventional family, these 'outsiders of love' which in any case have to maintain the balance of the strange balance. It is curious but not surprising that many of the examples I come to mind have to do with the idea of \u200b\u200ba journey, with the interior life experience, that "undressing" romantically. That sometimes happens even with a stranger, with whom a relationship is brought out of the ordinary it seems which makes one feel more alive. The spirit of travel, the adrenaline, the sense of adventure go very well with this idea of \u200b\u200bmixed triad to which the (good) company is enough, nothing (or nothing) they need. It is true that the link is generated with fellow travelers, especially when it is a rip road without a path too fixed kerouaciano is a good starting point for a web of complicity, of internal and external conflicts .
In "Y Tu Mama Tambien" of Alfonso Cuaron is the story of a trio and a triad, but above all, the story of two friends since childhood, and Diego Luna Gael García Bernal with astonishing naturalness, traveling without their girlfriends and meet a atractive woman who joins them (in this case comes into play the age difference, as an indicator of the seduction and 'menage a trois ') but obviously sensual scenes that give more tone to the film, removing the part that can be more frivolous, "if that is not valid or respectable sexual freedom for who knows and wants to enjoy: this is a 3 -, but I find most interesting about this aspect is to emphasize how the template , that eternal, mythic gang, how a woman traveling alone met two guys have shared so many stories that seem to have lived the same life, so here's a scene from that journey and the incorporation of the sexual element that binds them and that in addition to desired feel part of something else something else, and though the journey progressed crooked things, when that 'agreement' does not work, or has already fallen from grace. The game is over. The rupture, that change, the tipping point when there is something very human, tremendously universal conflict and jealousy
In this kind of 'terrorism of love' challenge the same marriage, alias the authority, the right thing good model of how to nurture the love and coexistence a scene that can not miss, which gave another memorable triad Dreamers Bertolucci of . illustrating how to live this intimacy that usually have two, well three, including the time when, as happens in conventional couples, someone needs to take the feelings a step further, requiring a sincere, verbalize that "I love you " in this case a " want you ", but each do it their way.
course, in the harmony of the triad, is a shame not being able to find the scene of that marvel of movie making I saw and I posted recently: "Tres Irmaos" of Teresa Villaverde, in which the two brothers had that inseparable friend. And it was unclear whether she was the girlfriend of both, or neither, but the power of that link, how they complement and complete the three, in its nature from outsiders its nosedive, but with an almost fraternal warranty of care for one another, to save his skin, the desire to share that journey, albeit metaphorical, that go away, get outwit their own destiny ... but never get the trip. Film and intensity of the triad that immediately reminded me, even I thought was a contemporary review of another epic, beautiful Triad "Rebel Without a Cause" of Nicholas Ray, even with strangers mixed feelings, because that strange mixture of admiration and desire that once rested on it (not in it), the boy troubled newcomer to the town that was James Dean ... since Sal Mineo, in his personal life never hidden its bisexual character, he played the faithful and beloved Mineo, a simply unforgettable and indelible character, who felt that that girl who decided to change their destination, switch sides (Natalie Wood ) for this vulnerable child, I 'ate tereno '...
*
has been a pleasure - to another - I love you - do not forget - take care - bye - the voi - see you - enjoy the trip - The End. 
Actually, this 'not worth', I wanted to bring her to present the post, because I have a weakness for it, for expressiveness, sweetness ... to be the freezing of a beautiful dramatic moment, which overlap a hug and a kiss, the two expressions or gestures of affection and love, how a woman receives simultaneously from two different men. not worth "Hierro 3" of and the preciousness of time / frame of Kim Ki-Duk because them one of them do not know, do not share the woman (not officially), have decided to succumb to an agreement de-possessive love between three ... *
The short route I propose is the other, the scenes and moments that the screen-and not just the cinema has given us and are always loaded with a 'quelque chose' , that of fair play, has a lot to do with a teen spirit that could allow things to be otherwise, stripping, deshinbirse standards, enjoy an adventure in common .. Here are two examples
's little brother, the youngest of film: the video, especially when you plot to open mouth-and are also two issues that absolutely love: "One the first trip of adolescence that you never forget ... the "Lady" of Modjo song that I love, which brings a smile because it takes a teenager's hand with this heartwarming story of friendship, a mixed triad in its splendor, fraternal, this time it seems that no right to touch, The other, a story that advances the first experiences including adventure to discover the feelings that one kept, with that incredible voice jet Skin, that gets me every time, like the first, goosebumps-incidentally, recently made the mistake of missing live-
Skunk Anansie
Love stories without love is sometimes said, even without kissing, but always three.
Many times I say 'my guys' housemates' This being 2 boys and 1 girl is very cinematic, "I feel like Jeanne Moreau running with them across the bridge" ("Jules et Jim " ) and die of laughter, it not because our relationship is strictly domestic, friendly and, above all, if we were not so narrow hallway, who knows if things would be otherwise and could recreate this scene ...
And indeed all, as any hint of rebellion, began with the Nouvelle Vague or take shape as a new modus vivendi , a 'republic of feeling' in which two friends share a girl in an emotional balance and she understands that thinks so so everything is full, why there has to be rejected and a choice. They are often traveling companions, at home, seek to carry out a dream together, take a road trip interior, although there is no car, no distance, or displacement.
is strange how the interpersonal relationships 3; miss her taste ... Inverted seems that something is processed, generated some other intentions, other impulses that everything revolves around another kind of seduction, perhaps less natural (try to prove the 'post reply')... but, especially in the case of two male and one female elements can be generated 'that strange gang with interlocking interests bordering on infatuation', in almost all its variations, which could lead to a kind of 'agreement' by to share the girl, when she was unable to choose between one another and in their full consent, without breaking the old and long friendship between competitors, now complicit in a deal, beneficiaries in equal parts, of that total freedom, partners ... case it's true: there is always magic something very film, two boys and a girl. An eternal tension of feeling, of incalculable epilogues and open late.
are the best friends sometimes share beds, two Peter Pans for Bell ..
In some cases it can wreak absolute passion, sex deprived, the carpe diem, while in others the desire remains in the realm of Platonic this vulnerability when we realize that someone has become himself indispensable in our lives. That premium, for example, that comes ("Stranger Than Paradise" ): the principle is only a burden, a commitment, no feelings and does not appear to be any, but then .. this turning point destabilizes everything that makes it all remains in the balance of feelings, in that amalgam to the surface. contemporary cinema has given voice to some, always unforgettable, sometimes these people, who prefer to stay outside the conventional family, these 'outsiders of love' which in any case have to maintain the balance of the strange balance. It is curious but not surprising that many of the examples I come to mind have to do with the idea of \u200b\u200ba journey, with the interior life experience, that "undressing" romantically. That sometimes happens even with a stranger, with whom a relationship is brought out of the ordinary it seems which makes one feel more alive. The spirit of travel, the adrenaline, the sense of adventure go very well with this idea of \u200b\u200bmixed triad to which the (good) company is enough, nothing (or nothing) they need. It is true that the link is generated with fellow travelers, especially when it is a rip road without a path too fixed kerouaciano is a good starting point for a web of complicity, of internal and external conflicts .
In "Y Tu Mama Tambien" of Alfonso Cuaron is the story of a trio and a triad, but above all, the story of two friends since childhood, and Diego Luna Gael García Bernal with astonishing naturalness, traveling without their girlfriends and meet a atractive woman who joins them (in this case comes into play the age difference, as an indicator of the seduction and 'menage a trois ') but obviously sensual scenes that give more tone to the film, removing the part that can be more frivolous, "if that is not valid or respectable sexual freedom for who knows and wants to enjoy: this is a 3 -, but I find most interesting about this aspect is to emphasize how the template , that eternal, mythic gang, how a woman traveling alone met two guys have shared so many stories that seem to have lived the same life, so here's a scene from that journey and the incorporation of the sexual element that binds them and that in addition to desired feel part of something else something else, and though the journey progressed crooked things, when that 'agreement' does not work, or has already fallen from grace. The game is over. The rupture, that change, the tipping point when there is something very human, tremendously universal conflict and jealousy
In this kind of 'terrorism of love' challenge the same marriage, alias the authority, the right thing good model of how to nurture the love and coexistence a scene that can not miss, which gave another memorable triad Dreamers Bertolucci of . illustrating how to live this intimacy that usually have two, well three, including the time when, as happens in conventional couples, someone needs to take the feelings a step further, requiring a sincere, verbalize that "I love you " in this case a " want you ", but each do it their way.
course, in the harmony of the triad, is a shame not being able to find the scene of that marvel of movie making I saw and I posted recently: "Tres Irmaos" of Teresa Villaverde, in which the two brothers had that inseparable friend. And it was unclear whether she was the girlfriend of both, or neither, but the power of that link, how they complement and complete the three, in its nature from outsiders its nosedive, but with an almost fraternal warranty of care for one another, to save his skin, the desire to share that journey, albeit metaphorical, that go away, get outwit their own destiny ... but never get the trip. Film and intensity of the triad that immediately reminded me, even I thought was a contemporary review of another epic, beautiful Triad "Rebel Without a Cause" of Nicholas Ray, even with strangers mixed feelings, because that strange mixture of admiration and desire that once rested on it (not in it), the boy troubled newcomer to the town that was James Dean ... since Sal Mineo, in his personal life never hidden its bisexual character, he played the faithful and beloved Mineo, a simply unforgettable and indelible character, who felt that that girl who decided to change their destination, switch sides (Natalie Wood ) for this vulnerable child, I 'ate tereno '...
Lastly, the farewell scene of this endearing 'trio beat ' , probably my favorite ... Although these triads seem unbreakable (and their attachment as strong) sometimes end up, and everyone should follow his path, keep your dstino. This oasis just outside the routine, the right to adventure. Certainly I have heard that A Korean version of "Stranger Than Paradise" of Jim Jarmusch, and something tells me I will not do much for her, that if desjarmuschiza what interest is a very special film with that cast non.acting . And the memory of these characters, so simple, living an inner transformation together, for me is indelible, the essence of Platonic love, how coexistence can trigger feelings between friendship and love. A maravilllosa ..
*
has been a pleasure - to another - I love you - do not forget - take care - bye - the voi - see you - enjoy the trip - The End.
Sunday, April 3, 2011
Thunderstone In Pc Ruby Gameshark
Sunset on the river ...
Towards a fiery sunset
walked the summer sun,
and was in the clouds fire, a trumpet giant
behind green poplars on the banks of river.
walked the summer sun,
and was in the clouds fire, a trumpet giant
behind green poplars on the banks of river.
-Antonio Machado-
Saturday, April 2, 2011
Official Letter To Disconnect The Internet
JANET ON BOARD Novas: "Face painting, jumping frog and other small stories" / Cries and Whispers of contemporary dance, * TO DANCE OR NOT TO DANCE *
On the one hand, Janet (Novas) always evocative, almost inherent sensuality, feminine, bewitching, on the other, has a presence and a very strong expression on stage, something physical, very masculine, stripped, with no room or space for seduction, visceral, distorted.
Again as one of the few spaces that give room for contemporary dance in Pradillo Theatre, dance is not dance, you are looking for other references, which seems to take over other sides. Dance catching a frog porcelain garden, sprinkle powders ... Dance has taken a new direction and that is something that must be accepted.
And as usual you are the blog that you are music lovers and movie buffs but I usually care less scenic and is far removed you dance, invitaos again ..
On the one hand, Janet (Novas) always evocative, almost inherent sensuality, feminine, bewitching, on the other, has a presence and a very strong expression on stage, something physical, very masculine, stripped, with no room or space for seduction, visceral, distorted. In this duality, their jobs, at least those I know, always have some slow digestion, passivity and violence, internal tear, an anti-narrative logic closer to the performance , looking for 'that something uncomfortable', arcade, moments and images combined with a peculiar beauty, something intimate ..; with other aggressive, violent, or just weird. Moments like the position of a frog about to leap, experience physical moments, not daily, like a kind of 'Via Crucis' invented sequences and transition states, which is regenerated, that even sometimes leaves room for some humor. A strange mixture of reality and fiction, with elements taken to the limit, and a conceptual whole, making something that was serious and dignified stupid little things, but never to the evidence or to take anything important.
Here is a journey through objects. Frog ceases to be a stupid frog porcelain grandmother might have on the shelf or in the garden and becomes the imitated element in the rate of breathing, to adapt and adopt a gesture, not a stupid act but as a behavior animal, without more, for no apparent reason or another beyond their own momentum. In my opinion it is decontextualized, loose, the frame element, which may contain any image you want, which responds to the whim and mood of the stuffed ...
At first it seems disjointed, a kind of iconographic elements scattered: many frames it with a red party dress are placed cross, like a tape of Miss Universe , places them in the wall and is riveting, a pretty picture: a new role for women, which makes a DIY action without it being something domestic. After sometime I do not remember what or why, Janet in any action reminds me Rebecca Horn across the field in that hat cone, an almost iconic image. The piece begins to seem interesting when for several minutes during which systematically repeated out loud until the rolls, makes absurd, almost a joke, an awful sound, and how she then leaves that something extreme, hoarseness and shortness of breath-taking another reference almost comical how the bonds, by 'sound like' : the kung fu , martial art which leave ko someone but this is a single, a she with her, no characters to interpret. In any case she is by piece / performance is a relationship, a very narrow sense with the sound, the vocal element, with surprise, to look for gestures that could correspond to the memory and the memory ... the 'dregs' gives us a song, the ability to recreate, to hum even without all the notes, with the blurring of memory, filling the silences so imperfect. In that great sense that kind of catharsis, climax dedicated to "Cry Baby" , if I recall correctly, the great Janis Joplin , which is always a pleasure to remember and that someone celebrates the woman he was ashamed to spend a night at the Chelsea Hotel the best of Leonard Cohen, the elegant and eternal Master, perhaps too wild, unmannerly, impulsive, living every moment, every note as if it were the last ... A wild beast tamed, the woman who seems to embrace when sings with such a huge stream of voice, dual, masculine with their cries and whispers, its beauties and its tears. After that euphoric moment in which Janet 'janisjonipliniza' , without being only for the song and then leaves huge void, a strange new phase of 'Via Crucis' ... gold dust is sprinkled on whole face, perhaps to new and effeminate 'desjanisjonplinizarse' but excseo contrast and, as Cleopatra, nearly blinded by her own trick beauty, extravagance, the light effect, leaving the rest to the same level: the rest (your body, frames perfectly hung, ...), frog reminds me of the snake replicating " Blade runner " ; Later attempts to shake them off, new records of movement looking how to get rid of them, the mask, but it's too late, no longer are stuck with their own sweat. "Face painting, jumping frog and other small stories" , though not intended, or even seem relatively simple, reminds references very different, and once again left in a sort of bed in the background to the dance, as a wildcard, as the princess pea feel even if by means other things, a link created, but not fed, no more than account, not in excess, to recreate or to please ... Anyways Novás Janet runs the risk of creating this little world not to give personal and all keys, all accesses to reach it, or not to everyone, which sounds like a contemporary view, probably the only one: to be consistent with the elements fetishes or fetishes oneself according to their circumstances' (because that is, today, to create) and because the elements of common tastes, including 'common areas' are now very few. A practical effect in any case the whole may be accused of a danger of disrupting 'the most pleasant feeling that we have, to see a situation that does not meet scenic conventions' with pauses between each scene , which should be spun. But I liked it, especially hours later, that something transboundary.
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