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OF JIMMY JUMP * cameo * A Los Goya PHILIPPE PETIT: "Man on Wire" / Performances politically incorrect: provocation or Heroism ..?

All we saw last Sunday the Gala Goya remember we were left with their awkward, off-the- record, something alien to the gala, this:

doubt for a second if it was part of the login script on stage, moments before delivering the award for Best Actor, which would end up with Bardem, Jimmy Jump, alias' the Springer / the jumper. " A stunning Mercedes Sampietro, Lola Dueñas, Pilar López de Ayala , in charge of announcing, Jimmy watched in bewilderment how you put a hat on Mr. Goya, stood the statue, which did not belong, and is dedicated " All jumpers ", ie your fellow (strange) profession ... security until someone ran up and invited him to leave the stage. Before a general booing. Impolite A farewell to a grand entrance.

True, Jimmy managed to break the protocol and with it the magic and the course of the show on its peak, diverting attention from those who were its protagonists: De la Torre , Tosar and Bardem - Reynolds absent-screen, waiting candidates. And this seemed to bother much too tell myself to be a cameo harmless, the comment did not deserve sentencing and discredited that he dedicated Andreu Buenafuente (best presenter and host of the show in its history, which just celebrated its Silver Wedding), who referred to him as 'the idiot' ... Among other things because somehow Jimmy is also an actor, an actor, single scene: the climax . Prepare a character posing as a guest for one of the staff of the organization, dressed for the occasion, according to the rule, acting normally until .. LIGHTS, CAMERA AND ACTION!! erupts and disrupts a public ceremony, broadcast live, usually with large audiences, with no possibility of retreat. That is their modus operandi and probably the best definition of his work "contingency operator." Himself.

himself Jimmy states to carry out its objectives, breaking the security protocols, etc.. the worst nightmare of the American psychosis (hopefully not even think about ever trying to sneak into the Gala the Oscars .. or put you on the blacklist, which already have Polansky) it causes a huge adrenaline and emotion, a personal catharsis with the intention of making people laugh, which is not a desire to provoke.

The fact is that Goya was not a shred of grace to anyone. Nor probably in the other acts - Teatro Real, Eurovision ..-. Personally I see something heroic, agitator, rebel, those little antics of 'Springer', of which we are so lacking that .. are welcome! to get us out of the routine. In addition, n everything has an explanation or a reason. And we must never lose the humor.

So, trying to understand his position, where the creative value, performance, the work in progress ... I immediately comes to mind another name that has yet many more advantages than he, more cache, less controversy, but which actually share the need, almost vocational, to do things by breaking the rules (without being criminal but the thin line (i) legality ...): Philippe Petit .

Famous French tightrope walker who in 1974 crossed a cable 400 meters a Twin Tower to another, going down in history with this intervention, which has called 'the artistic crime of the century XX '. This gives an added value, positive thinking today, after the 11S , the damage caused by the collapse of World Trade Center in the universe / American spirit as it is considered icon and symbol of their culture and power, irreparable damage, broken sleep, threat real, a Phoenix not rise from the ashes ...

"Man on wire" ( James Marsh, 2008) is the documentary that picks up the story: how he prepared this operation and what impact it had on Philippe and those who helped him to realize his dream.

Portrait of an eternal Peter Pan with "good height, obsessed with space and architecture, with the ability to interact with it. Self-taught as a child saw in a magazine that was being built which would be the tallest towers in the world and not the idea never got off the head. A story about friendship, trust (and distrust), success (and failure), achievement, ideals and models ... Narration
key melodramatic and the progression / plot of a suspense film of the year 70 (type "All the President's Men" ), with interviews with Philippe and charismatic that he decided to start with adventure, interspersed with scenes reconstruction, very close, so far from docudrama, with quite similar seems reasonable, really, who are themselves in the 70 ... How all that compensates in any price appreciation in the custody or under the prospect of death, but with the power to thrill many people. In "Man on wire" everything is hanging in the balance-never better, "anything can go wrong.

This is the story of how in the end everything goes well. Without moralizing or end ' made in H' , but with that tremendous void that must stop having concluded the big goal. Following the success of the Twin Towers , all these people you trust, so its protagonists, distance themselves from him, as if something had been lost, which calls for a discussion on the strength of teamwork, common interests, ownership, authorship, the life stages that accompany or mark certain moments / milestones , etc.

Exciting "Man on wire" : I think he saw something that excited me so much since I saw made 20years, "The Neverending Story" , or make 10, that documentary you see how the team is committed Tarkovsky, off budget and shooting schedule, to repeat the scene of the burning house in "Nostalgia" , by mistake, has not been recorded. A story about how, when one truly believes in something, is capable of doing.

That reminded me of another operator popi touched by his rod, his faith: Justo Gallego Muñoz, who, under all odds, took something disproportionate and exorbitant: to build a cathedral with his own hands, and there is (in Mejorada del Campo) come true, but probably this is an unfinished dream, an impossible over time, David and Golliat , but who have devoted as much time.

However, returning the comparison ... -Philippe Petit who had the opportunity to see here, will be 3 years in La noche en Blanco, I urge cruising. Cervantes the Círculo de Bellas Artes - has much more to the limit and gives free rein to this extreme experience, the adventure, which not only endangers his life, but probably that of others, not to mention the real possibility that 'magic image' may twist and cause a much more bleak and devastating in people who contemplate if he fell, right there. Among other things, be public art. And its possible native equivalent: Jimmy Jump, that probably has no intention or artistic ambition, remains in the first step but is in the same way-and do something unexpected cameo, which in any case is the result of a 'making false' without or endanger himself or anyone else .. So .. why all the fuss!?

To me, indeed all, I find hilarious, especially those that are embodied in characters such peformers agitators, such as masquerading as Mario Bross and is throwing banana-haha! - Or masquerading as PCMan and libraries or supermarkets entering the fantasmillas pursued ...

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conclude by saying that what I find truly Philippe and Jimmy share the obsession record of experience and that this, in fact, only be achieved by involving the media. That in the 70s was an essential part of the performance-video-and now live in a consumer culture so diverse and it is almost a hero who manages to take ownership to another to get on the cover.

Finally, it is difficult to know if this kindof interventions are generous or selfish acts.

AND YOU ... 'OF WHO YOU ARE'? PHILIPPE PETIT OR JIMMY JUMP??