Monday, May 2, 2011

Reed Or Willow Screening

verité "EDIT & PLAY" PABLO Esbert: Dance in fast forward. Work in progress, self * Altered States, Video installation, Performance, Michael Snow

Great the proposal of Paul Esbert I saw yesterday in the Teatro Pradillo . A leaflet as a movie and making of , which takes the elements of film language, more specifically, of assembly, to take to the field of dance and mise-em -scène, with humor and all the possibilities and potential mimetic approaches. Voices are distorted when the image forward and back, two performers, Paul Esbert and Janet Novás , under the operation of a loop, almost whimsical, a temporary segment. Sketching in the first part 'PLAY' , on several occasions the smile, to see them again, and again the same scene, which finally shed his own text, of its initial value, with much repetition, a grin of her own, establishing a new logic, that is, above all, a very able and specific choreography at the base and the excuse for the performers to explore and reconstuyan the sequence of a thousand and one ways, with consequent changes in velocity and deformation processing and movement, gesture and voice. While
' EDIT' , the second piece complements the leaflet, this nifty double feature on the 'cuadratrura circle. " A reflection on the previous humor, of his intention, a dismantling of the process, the work itself ( PLAY) of the score, the guidelines ... A sincere and interesting reflection on the role of the viewer and the positioning of the fourth wall. One way to validate the finish a piece in a new format: an installation progress working , without applause, which contains all optical devices, technological and temporal and stage use, in place of actor-like element never questioned, which is basically a alteración/construcción-. Following the demon-stration, he disappears from the scene without further explanation, without asking for recognition, substituted or giving way to a gathering and organizing all the elements and senses involved in the perception of a piece, almost as if it were one of these early works of Chris Marker (which saw as recently in the Lisbon Culturgest). And in both cases is, at bottom, in a conceptual way, and more Paul Esbert value being on stage and by exclusion, a self portrait. *

EDIT PLAY +
, A multidisiciplinar work in its true nature, open-mindedness, risky choreography, by its own mechanism, and the quality of it to be the imitation by its secrecy, which has a lot of work behind, the most meticulous, no doubt what led him to and provided the "excess material", as much or more interest, to conceive the second piece, the reconstruccción, thought and conceptual approach as contemporary dance, and is lack thereof-, second-vulnnerabilidad assuming the idea of \u200b\u200bbody-doubt, as part of the process and work. A strange and nice feeling to see Paul Esbert relate to all these elements and devices, something that, increasingly, gradually is becoming performance and is no longer a conventional piece, something that even made me recover fond memories, of a book that was once key to ILM cais, o understand the conceptual art Tido, transboundary, that has to do with the reflection of reality, with the sense of self, etc.: " The photographic act " of Philippe Dubbois ,
which took this wonderful picture of Michael Snow . A self-portrait in progress .
In short, I recommend, if you have a chance, this proposal, one of the best I've seen lately, I have been very good taste all that humor, wit and a domino effect or Russian doll, which, coincidentally or not, I've seen on other occasions in the Pradillo, "the structure within the structure within the ... cycles, back and forth, from the concrete to the generic, all these forms may have only one, the comic effect or not multiplication. A success.

if she got confused the relationship and I am not surprised because, between a piece that just no one could see and the remainder of references something 'espesas'-bring a good and clear example of this level of visual, completely experimental and abstract, highly anti-narrative' to Hollywood ', the one that irritates some and hate and others see the charm and emphasis. That is both a levelof with (s) imaging science as a 'weather' . "Wavelengh" also Michael Snow, a mitiqueza ..: http://youtu.be/lzPwuP6AmCk

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